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1 encountered Giovanni Bernardo. From this, many verbal disputes arose, and they were nearly coming to blows literally "to touch each other with hands" scene x. Sanguino arrives, disguised as Captain Palma, with his companions disguised as bailiffs birri; the low-level police or guards of the period, often depicted as corrupt and, by order of the court and at the request of Giovanni Bernardo, they led
5 Bonifacio into a nearby room, pretending they intended to take him, after completing other business, to the Vicaria The Castel Capuano, which served as the main law court and prison in 16th-century Naples. With this scene xi. Karubina remains in the clutches of Giovanni Bernardo who (as is the custom of those who love ardently) with all the subtleties of Epicurean Philosophy original: "Epicuraica Philosophia"; here referring to the pursuit of pleasure and the dismissal of superstitious fears ("Love weakens the fear of men and gods") seeks to cut the bond
10 of the scruple that Carubina—unaccustomed to eating more than one soup An idiomatic way of saying she had never been with a man other than her husband—might have had. Regarding her, one must think that she desired more to be conquered than to conquer; therefore, she was pleased to go and "dispute" in a more remote place. While these affairs were passing, Scaramuré, who "had the clock in his stomach and his brain" meaning he was perfectly timed and clever in his plotting, went with the
15 pretense of helping Bonifacio. And scene xv. finds Sanguino with his companions and obtains permission to speak to Bonifacio. And having obtained it through certain roguish original: "mariolesche" circumstances scene xvi. he comes scene xvii. to persuade Bonifacio that the magic enchantment had a confused effect because of Bonifacio’s own fault,
20 and says he wants to negotiate for his present liberty. Doing this in scene xviii. by offering something "under the table" to the Captain, he receives from the one who was no novice in his art meaning Sanguino, who is a professional criminal a very harsh resolution, which truly moved Bonifacio, and Scaramuré, in the only way he could, to kneel on the ground and ask for grace and mercy. Eventually, they persuaded the Captain to be
25 satisfied and grant him grace. This was granted to him on the condition that Scaramuré should arrange for the wife, Carubina, and Giovanni Bernardo to come and forgive him for the offense. Thus, this agreement began to be negotiated with many apparent difficulties in scene xx. and xxi. until scene xxii. after having asked for forgiveness on his knees from Giovanni
30 Bernardo and his wife, and having thanked Sanguino and Scaramuré, and "greased the palm" original: "onta la mano" of the captain and the bailiffs, he was freed by the grace of the Lord God and the Madonna. After his departure in scene xxiiii. Sanguino and Ascanio reflect a little upon his situation. Consider then how his falling in love with Signora Vittoria inclined him toward
35 being a cuckold cornuto; literally "horned," the traditional symbol of a man whose wife is unfaithful, and when he thought he was enjoying her, he became a total cuckold. He is truly represented by Actaeon In Greek mythology, Actaeon was a hunter who saw the goddess Diana bathing; she turned him into a stag, and he was torn apart by his own hounds, who, going hunting, sought his own horns; and just when he thought to enjoy his Diana, he became a stag. Therefore, it is no wonder if this man is torn apart and shredded by these roguish dogs.