Natya Shastra with Abhinava Bharati Commentary (1926) - Page 20

	Verse	Page
Śuṣkāvakṛṣṭā	112	558
Raṅgadvāra (The Door of the Stage)	116	559
Cārī (Movement/Gait)	117	560
Aṅkitā Dhruvā	118	560
Mahācārī (Major Gait)	126	563
Caturaśrā Dhruvā (Square Dhruvā)	127	563
Trigatam (The Three-fold Talk)	135	565
Prarocanā (The Induction)	139	566
The Pure Preliminaries—Triangular (Tryaśra)	144	567
Utthāpanam (The Rousing)	144	,,
Utthāpinī Dhruvā	145	,,
The Preliminaries—Variegated (Citra)	153	569
Rules for the Tāṇḍava Dance	157	,,
Dance within the Nāndī	158	570
Commencement of the Drama	159	,,
Avoiding excessive dance and song	162	571
Entrance of the Establisher (Sthāpaka)	170	573
The Necessity of performing the Preliminaries	178	577
✓ Rules for Variegated, Mixed, and Pure Preliminaries	183-222	579-586

And the commentary on interpolated verses

CHAPTER SIX


Analysis of Sentiment (Rasa-vikalpa)	1-88	587-780
The Five Questions	1	588
Bharata’s Response	4	595
Compendium of the subjects of the Nāṭyaśāstra	10	601
Detailed enumeration of the subjects	14	607
The Aphorism on the Realization of Rasa (Rasaniṣpatti-sūtra)		620
Explanatory Commentary (Bhāṣya) thereon		677
The cause-and-effect relationship between Rasa and Bhāva		687
The relationship of producer and produced among Rasas	37	690
Representations of the colors and deities of the Rasas	42	701
Śṛṅgāra (The Erotic)		704
Hāsya (The Comic)		730
Karuṇa (The Pathetic)		737
Raudra (The Furious)		740
Vīra (The Heroic)		749