The Musician and Master

la sol la f 531. Chapter 16, Chapter 56. 13. Re fa mi re sol, Re mi fa re sol. f 539. 32. scotles, scofales. f 541. 18. unfold it, unfold f 548. 3. and others of, and of others. f 566. 11. composed, and in one triple-compound; composed, in seven double-compounds, and in one triple-compound. f 570. 22. will have Semitones, will have more Semitones. f 572. 46. of Semiminims original: "Semiminimas"; a short note value with, of Minims with. f 574. 5. simpre, simple. f 580. 27. boxwood, boxwood. f 585. 2. and of the Fifth, and of the Fourth. f 611. 12. Chapter 31. Chapter 19. f 616. 9. maos, bad. f 638. 27. elegant, elegant. f 661. 17. disproportionate, disproportionality. f 678. 13. the Singer, the Singer. f 679. part, part. f 685. 22. and the Bass, and the Bass. f 690. 42. of Song, in Song. f 695. 32. ordered, ordered. f 697. last line. I said, he said. f 710. 35: if that, follows. f 711. 20. this if form, this form. f 723. 21. of the Fifth, of the Fourth. f 730 19. and to voices, and to voices. f 734. 4. The fourth, the fifth. f 737. 8. of the third degree: so that when those of the fourth degree are to be used, let those of the second degree be used: and when they cannot be used, let it be by necessity. let it say thus: of the second degree: when they cannot be used, let those of the third degree be used: so that when those of the fourth degree are to be used, let it be by necessity. 29. this faculty, this faculty. f 753. 36. is more, subtle: is the most subtle. 38. of the moon, of the Moon. 38. the eyes, the eyes. f 757. 25. I have placed in the last Chapter of the 19th book where Proportions are treated. let it say, it is placed in the 20th book. f 780. 16. in this of that, which this: in this of that, which this: f 790. 46. Times, Verse. f 795. 23. naturally, very badly. f 797. 1. where, to where. f 800. 25. a Tenor, a Tone. f 804. 7. serve but, serve if not. f 813. 25. that begin with, that begin the first part with. f 832. 5. in so many degrees, in such a degree. f 873. 10. ancient, ancient. f 877. 26. of the 10th Everything, of the 9th Tone. f 879. 7. first, first. f 904. 1. of C-faut, of C-solfaut. f 913. 23. Observed, Observing. f 920. 15. here is, here is original Latin: "hic es, hic est". f 926. 1. the 7th and the Tenth, the 7th and the Twelfth. f 935. 10. in is, in this. f 951. 26. imperfect, imperfect. f 960. 20. only. 18. only. 8. f 969. 19. to fulfill, to fulfill. 20. notions, diminutions. f 970. 8. these, in these. f 972. 40. to Chapter 5. to Chapter 5 and 6. f 987. 20. with greater, with greater original Latin: "cum maiar, cum maior". f 995. 14. initial, indicative. f 996. 10. resemble three, similar. 1003. 4. perfect, imperfect. 22. Chapter... Chapter 8. f 1011. 20. (contains two Tones and a Semitone) let it say only (contains two Tones). f 1015. 30. 260 to 340. let it say, 360 to 240. 42. us, fas; f 1016. 23. you place odd. ninths or odds. 36. in the second order of the 3rd table, where it says, difference 2. 2. it must be, 1. 1. f 1020. 24. look inside the table, and you will find; 18 are 60. let it say, 12 are 60. 50. numbers 280 to 180. numbers 240 to 180. f 1026. 11. let us say, let us say. f 1037. 21. and every day, and every day. f 1038. 6. Sodelina, Sordelina A type of Italian bagpipe. f 1040. last line. child, or no. f 1043. 22. trimmed, adorned. f 1049. 9. and to a, and even. 20. it must be, it must not be. f 1055. 18. severe, it will be severe. f 1056. 16. various B-flat, various: B-flat. f 1063. 22. since, from there. f 1069. 31. sense, sense. f 1070. 8. exit that, exited. f 1081. 20. lowers once, lowers one voice. f 1087. 9. to page 190. to page 109. f 1095. 1. and third, and third voice. f 1120. in the hand, the 21st which is at the top joint of the index finger, must be 14. f 1126. 5. that is sung, that is sung. 6. and the fifth, the fifth.

Folio 271. staff 1. at the end of the word gestorum Latin: "of deeds", the comma is missing. f 318. staff 2. note 10, which is Fa; must be Re. Also on staff 5. the third Clef must be F-faut on the middle line. f 319. staff 2. the flats must be one step higher. The second double-flat, placed in the tables, on pages 272, 274, and at 344, must be a natural sign, which signifies Mi. f 375, staff 11. note 25. Vela, let it say Ut fa. f 394. staff 2. note 12. Fa ut, let it say Re ut. f 410. staff 3. note 24. Mi sol fa. let it say Mi fa sol. f 437. staff 3. note 15. Fa mi. let it say Fa re mi fa sol fa mi. f 448. staff 3. note 1. Ut sol. let it say Sol la fa sol with a rest or line, then follows another sol, but in D-la-sol-re. f 498. staff 1. note 4 must be in the 3rd space. f 505. staff 2. note 20. is marked with a natural sign, so that it says Mi and not Fa. f 514. staff 1. the first Clef must be on the middle line. f 519, and 520. The alpha notes which, in the examples, are next to the square notes, are in ligature. f 522. staff 4. the dot is missing from the indicative Time of the second example. f 554. staff 3. G-sol-re-ut let it say C-sol-faut etc. f 559. staff 10. the Clef must be on the fourth line. 580. line 5. Octave above etc. let it say in this manner: Octave above is Octave below, Seventh above is Ninth below, Sixth above is Tenth below, Fifth above is Eleventh below, Fourth above is Twelfth below, Third above is Thirteenth below, Second above is Fourteenth below, and Unison is Fifteenth. f 580. staff 2. note 17. Sol sol fa mi. let it say Sol fa mi, with three Semiminims. Also these numbers 1. 8. 8. 1. which are below, must be thus, 15. 8. 8. 15. f 598. staff 4. note 7. Mi la fa sol re fa. let it say Mi re fa. f 628 staff 4 note 12. Fa ut re. let it say Fa with a Semitone, la re. f 645. staff 3. note 5. Mi, must be a Semiminim: and note, that the last note must be, La. f 661, staff 6. the C-sol-faut Clef must be on the 2nd line. f 663. staff 1. note 5. Fa mi. let it say Fa ut. f 666. staff 1. note 9. Sol mi. let it say Sol fa with a flat. f 717. staff 3. note 4. Re with a sharp, must be Fa. f 746. staff 1. note 2. Re, a half-measure rest is missing after the said Re. f 793. staff 6. the Clef of the 3rd line must be on the second. f 809. staff 4. note 29. Fa sol. the two rests are removed. f 818. staff 3. note 14. Mi, which is a Minim, must be a Semibreve. f 840. staff 3. note 14. Fa mi, the Mi is black. f 841. staff 5. note 18. Re mi. let it say Ut re mi, making the Ut one measure long. f 852. staff 11. note 1. Sol sol. let it say Mi in B-flat-mi and sol. f 859. staff 9. note 9. Fa mi. let it say Fa fa by 4. f 860. below the first staff put: IN G-SOL-RE-UT for 6 voices. f 860. staff 3. note 18. here it is sung by the C-sol-faut Clef on the second line. f 863. staff 5. note 2. Sol, the dot is missing. f 923. staff 2. the flats that are in D-sol-re, must be in E-la-mi etc. f 940. staff 2. the rest must cross three spaces. f 983. staff 1. note 16. which must be a semibreve. f 994. staff 2. the second Time must be without a stroke. f 1000. staff 6. note 19. Fa sol. let it say Fa sol la fa in Minims, and sol as it is. f 1001. staff 1. the contrary Time must be with a stroke, and the Sharp of note 15 must be removed. f 1008. staff 3. note 8. Fa re mi fa fa let it say Fa mi fa re fa. f 1031. staff 5. note 22. Mi ut. let it say Mi re: and on staff 6. note 5. Ut: here a half-measure rest is missing. f 1033. staff 6. note 4. must be a Semibreve. f 1036. staff 4. note 15. Fa fa, which must be a Breve without a dot, and a Semibreve. f 1058. staff 1. note 3. must be one step lower. f 1059. the examples by step are raised a Fourth. f 1081. staff 7. the third Clef is missing the flat in B-flat-mi: and the two it has are removed. f 1086. staff 8. last note. Re re. let it say Ut vt. f 1087. staff 5: note 24. the dot is missing. f 1090. staff 6. note 23. Mi la. let it say Mi fa. f 1096. p 1. n 4. Fa la. let it say Fa sol. f 1117. staff 12. the flat is missing at the beginning. f 1127. staff 2. note 16. which is Sol, and must be a Quaver original: "Corchea". f 1132. in the wheel, in the FIRE original: "FVOCO" part, that third rest (which is a Semiminim) must be removed, and on staff 2. note 48. which is a Breve, the dot of augmentation is missing. f 1132. staff 3. note 50. which is a Minim must be a Semibreve. f 1139. in the Bass note 3. it is a detached Breve.

By taking into account the declaration and amendment of the errors, they will not be confused; rather, each person will be able to correct them: and by doing so in this manner, neither will the Author be criticized, nor the reader left in doubt.