Fourth Book of Occult Philosophy

A row of ten decorative foliate fleur-de-lis ornaments across the top of the page.

To his good friend the Author, on his

Translation of Occult Philosophy

and Geomancy. A method of divination that interprets markings on the ground or the patterns formed by tossed handfuls of soil, rocks, or sand.

Most noble undertakings! As if Art
And Prudence In this context, practical wisdom or foresight. should a bargain make, to share
Brilliant light: you send forth a ray
Which even the noblest Patrons could never display.
Well may Diana The Roman goddess of the moon and nature, often associated with hidden or "occult" mysteries. love you, and inspire
Your noblest Genius Referring to one's innate spirit or guiding talent. with celestial fire,
Whose sparkling Fancy Imagination or creative power. with more power can subdue,
And sooner conquer, than a Magic Spell.
The Author Refers to the original writer, Heinrich Cornelius Agrippa. thought not (when he wrote the Book)
To be surpassed by a more profound look,
Or be overtaken by a more triumphant style,
Which should exalt his then-most pleasant vein.
But seeing that a later generation
Has snatched his honor from obscurity,
Both shall revive, and make Spectators know
The best deservers of the laurel wreath. original: "Lawrel bow"—A symbol of victory, honor, and poetic excellence.
Nature and Art here strive for the victory:
And though he refuses to yield,
You have gotten the start: though he triumphs in praise,
Yet may his Ivy A plant associated with immortality and the scholar’s life. wait upon your Bay leaves. original: "Bays"—symbolizing the highest award for poetic or intellectual achievement.