Raj Vijaya

The diagram original: "chakram," a complex circular chart or symbolic wheel used for divination is filled with beautiful families of symbols, accompanied by all the spirits of the dead. It proceeds through the positions of the Sun and the Moon original: "Arka-shashanka," the sun and moon are central to breath-science in a fierce sequence, beginning with the signs of the zodiac and their active spirits. In the first section, the arrangement of the "Vilocaka" An obscure technical term, likely a specific type of viewing or alignment points is described at the start of the work. (3)

One should know the Pancogaraja Pancogaraja: literally "King of the Five Limbs," likely referring to a diagram involving the five elements or five specific astrological factors; then comes the knowledge of the divisions of the sun's rays within it. Following that, the "Mallattura" original: "mallattura," possibly a local or technical name for a specific diagrammatic arrangement is explained. In the third section, the preferred Triple-Vein Diagram original: "Trainadya-chakra," relating to the three main channels of vital energy: Ida, Pingala, and Sushumna is described, as well as the Twelve-Spoked Diagram original: "Dvadashara-chakra". Following that, the diagram of the lunar mansions original: "Nakshatra-chakra" is known for its many results, as if awakened from sleep.

From the expansion of these, the "Madanavahira" likely a diagram named after a specific deity or king and others are described for the purpose of the march. Then I shall speak of the "Mrigana," the "Yamaya," and others beyond those. (5) Next, I shall describe the Diagram of Star-Houses original: "Nakshatra-bhava-chakra" and the internal divisions within it. Then the "Cakravaracena" and the "Hripanta" are detailed, followed by the "Vadrasharasatta." (6)

I shall then describe the diagrams for weapons, banners, and hearts original: "Shastra-dhvaja-hridaya-chakrani", and the characteristics of the "Yamallattana." Through the "Pancogaka" method, one arrives at the excellent fourth chapter titled The Root original: "Mula-adhyaya". (7) In the fifth chapter, I shall speak of the spirits original: "Bhutas" using the Arya meter A specific rhythmic structure in Sanskrit poetry, providing results consistent with their names; here, the Great Destroyer original: "Mahamari," a fierce goddess often associated with protection against or the cause of plagues and defeat should be understood. (8)

Thereafter, the "Ttrapalika" and the "Bhaurau-dra-parattasta" are mentioned, followed by the description of the "Kalagewa." Next, the "Mantra-prayoga" the practical application of sacred chants and the "Yogoshi" are detailed, alongside the expansion of Chandika The fierce, protective form of the Goddess. Then comes the "Bhadra-chaturanga" a "four-limbed" or auspicious diagram often related to army formations for deception, followed by the "Kamakhya." After that is the "Shahuli," and then the Victory over the Three Worlds original: "Trailokyavijaya," a common name for highly potent diagrams or mantras intended to ensure total dominance. (10)

I shall also speak of the "Kalapasa" The Noose of Time/Death, to be known through its categories, followed by the diagram named The Fire of Rahu’s Time original: "Rahukalanala-chakra," referring to the destructive energy of the eclipse demon Rahu. Then comes the "Svaramyarga" and the "Ajna" Command. (11) Further on, the "Mahute" and the "Sheva" should be known, as well as the "Kulikarahopra." Then follow the diagrams of the Sun’s orb and the Earth. Beyond those are the Yoginis Yoginis: here, sixty-four semi-divine female spirits whose presence dictates auspicious or inauspicious directions for travel and battle of three types, categorized by the lunar day, the fire, the planets, and the immortals.

Beyond that, the "Nariri" is to be known, and then the "Jnathi" which leads to victory. This sequence has been stated in the fifth section. Further, I shall speak of the "Raga-vako-ragga" and the "Shastradi-jnana-kankaga" in the chapter concerning the heart, ending with the "Vaijayakhya." I shall speak next of the "Patagramonjika." (15) Beyond that is the "Samudra" The Ocean diagram.