VII

CONTENTS OF VOLUME II.

	Pages
XI. NOTES ON SCULPTURE Practical advice (706—709).—Notes on casting the Sforza monument (710—715).—Models for the horse of the Sforza monument (716—718).—Occasional references to the Sforza monument (719—724).—The project for the Trivulzio monument (725).—The Roman mint (726).—On the minting of medals (727. 728).—On plaster (729. 730).—On bronze casting in general (731—740).	1—24
INTRODUCTORY OBSERVATIONS ON THE ARCHITECTURAL DESIGNS AND WRITINGS ON ARCHITECTURE	25. 26
XII. ARCHITECTURAL DESIGNS I. Town plans (741—744).—II. Plans for canals and streets in a town (745—747).—III. Castles and villas.—A. Castles.—B. Projects for palaces.—C. Plans for small castles or villas (748—752).—IV. Church Architecture.—A. General observations (753—755).—B. The theory of dome construction.—1. Churches designed on the plan of a Greek cross.—Group I. Domes rising from a circular base.—Group II. Domes rising from a square base.—Group III. Domes rising from a square base and four pillars.—Group IV. Domes rising above an octagonal base.—Group V. Inspired by San Lorenzo in Milan (756).—2. Churches designed on the plan of a Latin cross.—A. Studies of existing monuments.—B. Designs or Studies (757).—C. Studies for the church form most suitable for preaching.—D. Design for a mausoleum.—E. Studies for the central tower or Tiburio of Milan Cathedral (758).—F. The project for raising the Baptistery of Florence and placing it on a basement.—G. Description of an unknown temple (759).—V. Palace architecture (760—763).—VI. Studies of architectural details (764—769).	27—74
XIII. THEORETICAL WRITINGS ON ARCHITECTURE I. On cracks in walls (770—776).—II. On cracks in niches (777—778).—III. On the nature of the arch (779—788).—IV. On foundations, the nature of the ground, and supports (789—792).—V. On the strength of beams (793—795).	75—99