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original: "芥子園畫傳 卷五" (Jieziyuan Huazhuan, Juan Wu). This volume typically focuses on landscape compositions and the lineages of various painting masters.
Hu Changbo's painting style began with Wen Wufeng original: "文五峰" (Wen Wufeng). This is a reference to Wen Zhengming (1470–1559), a titan of the Ming dynasty's Wu School of painting..
In his later years, his work transitioned between the styles of Shuming original: "叔明" (Shuming). The courtesy name of Wang Meng (c. 1308–1385), one of the Four Masters of the Yuan Dynasty, known for his dense, textured landscapes. and Zijiu original: "子久" (Zijiu). The courtesy name of Huang Gongwang (1269–1354), the most influential of the Four Yuan Masters..
His brushwork is archaic and substantial, quite similar to the works of the Yuan Dynasty. He approached painting much as the ancients studied calligraphy through the Ritual Vessel Stele original: "禮噐碑" (Liqi Bei). A famous Han Dynasty stone monument celebrated for its refined and disciplined clerical script calligraphy..
The illustration spanning these pages is a "roundel" or fan-shaped landscape. It depicts a steep, layered mountain range on the right, balanced by a vast expanse of water on the left. A small pavilion is perched precariously on a cliffside, overlooking a cluster of various tree types—pines, broadleaf, and deciduous—rendered with the distinct "dots" and "textures" characteristic of the Yuan masters mentioned in the text.