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This woodblock print illustrates the architectural layout of a Confucian Temple (Kongmiao), showing the spatial relationship between the main ritual halls, commemorative steles, and ceremonial gates. "The Master" (Fuzi) refers to Confucius.
Place for burning silk and offerings
This marks the positions for the various ranks of ministers.
The Sovereign looks upward in contemplation
The place where the empty bamboo baskets remain
This marks the positions for the various ranks of ministers.
| Shaking the door leaf | The minister exits, shaking the gate bolt at the central door | The minister enters through the left gate bolt | Enters through the right gate bolt | The Sovereign enters, shaking the door leaf | Shaking the door leaf |
This diagram illustrates the ritual movements and positions for the monarch and ministers in a ceremonial hall, specifically detailing the protocol for entering and exiting through gates by "shaking the gate bolt" (original: Zhen Guan). This act served as a formal announcement of one's presence.
original: "She Zhi" (Lifting the Hem). This is a specific ritual instruction for climbing stairs; a minister must lift the hem of his long ceremonial robes to ensure he does not trip or step on the fabric, maintaining a dignified appearance.
Gate Bolt (Guan): In this ritual context, "shaking the bolt" means to rattle the door handle or the locking mechanism. It is a gesture of politeness intended to notify those inside the hall of an arrival, preventing a sudden or startled encounter.
The Screen (Ping): A large ornamental screen placed behind the seat of authority to provide a backdrop and privacy.