Collected Illustrations of the Three Powers (Sancai Tuhui), Vol. 63

The Ceremonial Ribbon-Sash

original: "綬" (Shòu). A long, wide, intricately woven silk ribbon that hung from the back of the waist. In the Ming dynasty ritual system, the color, density of the weave, and the specific floral or geometric patterns were strictly regulated to indicate the wearer's rank. For the Emperor, these were often made of yellow or multicolored silk with dragon motifs, ending in a heavy fringe.

The Ritual Jade Pendants

original: "珮" (Pèi). This refers to a complex "set" of carved jade plaques (often called Yupei) suspended from the waist by silk cords interspersed with small beads. These served a dual purpose: they were beautiful markers of high status, and they functioned as a "metronome" for the wearer's conduct. The jade pieces were designed to strike one another as the wearer walked; a steady, rhythmic "clinking" sound indicated a calm and dignified gait, whereas a chaotic sound suggested a lack of self-control.

Ceremonial Ribbon-Sash original: "綬" (Shòu). A woven textile ornament that identifies the wearer's position in the imperial hierarchy.
Ritual Jade Pendants original: "珮" (Pèi). A set of chime-like jade ornaments that symbolize the "clinking of virtue" through their rhythmic sound.
Ritual System original: "禮制" (Lǐzhì). The overarching set of Confucian rules and regulations that governed every detail of court life, including dress.
Adornment original: "服飾" (Fúshì). A general term for the clothing and accessories that comprise a formal costume.