On the Sensations of Tone

the Minor Triads in the most and less Perfect Positions of the Minor Triads, 221d, d'
[Calculation of the false Combinational Tones of Minor Tetrads in their best positions, 224d]
Ecclesiastical Modes, 245c, d
Partial Tones of the Tonic, 257a
[Pentatonic Scales, 259c, d]
[Tetrachords 1 to 8, with intervals in cents, 263d']
Greek Diatonic Scales, 267c
[Greek Diatonic Scales with the intervals in cents, 268c]
[Greek Diatonic Scales reduced to beginning with c, with the intervals in cents, 268d']
Greek Modes with the Greek Ecclesiastical and Helmholtzian names, 269a
Later Greek Scale, 270a
Tonal Keys, 270c
Ecclesiastical Scales of Ambrose of Milan, 271b, c
The Five Melodic Tonal Modes, 272b
[The Seven Ascending and Descending Scales, compared with Greek, with intervals in cents, 274c, d]
[The different scales formed by a different choice of the intercalary tones, 277c', d']
The Five Modes with variable intercalary tones, 278a, b
[J. Curwen's characters of the tones in the major scale, 279b, c]
[Arabic Scale in relation to the major Thirds, 281d']
Arabic Scales, 282b-283c
[Prof. Land's account of the 12 Arabic Scales, 284 note]
Five Modes as formed from three chords each, 293d, 294a
The same with double intercalary tones, 297c, d
The same, final form, 298b, c
Trichordal Relations of the Tonal Modes, 309d
[Thirds and Sixths in Just, Equal, and Pythagorean Intonation compared, 313c]
[Combinational Tones of Just, Equal, and Pythagorean Intonation compared, 314d]
The Chordal System of Prof. Helmholtz's Just Harmonium, 316c
[Duodenary statement of the tones on Prof. Helmholtz's Just Harmonium, 317c, d]
The Chordal System of the minor keys on Prof. Helmholtz's Just Harmonium, 318a, b, d
[Table of the relation of the Cycle of 53 to Just Intonation, 329b, c]
[Tabular Expression of the Diagram, fig. 61, 332]
[Table of Roughness, 333d]

Measurements of Glass Resonators, 373c
Measurements of resonance tubes mentioned on p. 55a, 377d
Table of tones of a conical pipe of zinc, calculated from formula 393c [with subsidiary tables, 393d and 394c]
Table of Mayer's observations on numbers of beats, 418a
Table of four stops for a single manual justly intoned instrument, 421c
Table of five stops for the same, 422a

Table of Pythagorean Intonation, 433b, c
Table of Meantone Intonation, 434b
Table of Equal Intonation, 437c, d
Synonymity of Equal Temperament, 438b
Synonymity of Mr. Bosanquet's Notes in Fifths, 439a
Notes of Mr. Bosanquet's Cycle of 53 in order of Pitch, 439b, c, d
Expression of Just Intonation in the Cycle of 1200, p. 440
Principal Table for calculation of cents, 450a, Auxiliary Tables, 451a
Table of Intervals not exceeding one Octave, 453b
Unevenly numbered Harmonics up to the 63rd, 457a
Number of any Interval not exceeding a Tritone, contained in an Octave, 457c
Harmonic Duodene or Unit of Modulation, 461a
The Duodēnāriῠm, 463a
Fingerboard of the Harmonical, first four Octaves, with scheme, 467b, fifth Octave, 468d
Just Harmonium scheme, 470a
Just English Concertina scheme, 470b
Mr. Colin Brown's Voice Harmonium Fingerboard and scheme, 471a
Rev. Henry Liston's Organ and scheme, 473b
Gen. Perronet Thompson's Organ scheme, 473d
Mr. H. Ward Poole's 100 tones, 474c
Mr. H. W. Poole's scheme for keys of F, C, G, 476a
Mr. Bosanquet's Generalised Keyboard, 480
Expression of the degrees of the 53 division by multiples of 2, 5 and 7, p. 481c
Typographical Plan of Mr. J. Paul White's Fingerboard, 482b
Specimens of tuning in Meantone Temperament, 484c
Specimens of tuning in Equal Temperament, 485b
Pianoforte Tuning—Fourths and Fifths 485d
Cornu and Mercadier's observation on Violin Intonation, 486c to 487b