Suit V.

(Lions and Bears)


x	two?	Paris	Kh. 25. res. Shelfmark for the 'Réserve' or rare print collection at the National Library of France.
	three	Dresden
x	three?	Paris	Kh. 25. res.
L. 89.	four A	Paris	Kh. 25. res.
	four B	Dresden
L. 91. A.	Five	Paris	Kh. 25. res. (two prints, one of which was formerly original: 'ancienn^t.' Ea 40. res.)
	five B	Dresden
L. 93. A.	Six A	Paris	Kh. 25. res.
	Six B	Dresden
	Seven	Dresden
x	Seven?	Paris	Kh. 25. res.
L. 96.	Eight A	Paris	Kh. 25. res.
	Eight B	Dresden
L. 98. A.	Nine A	Paris	Kh. 25. res.
	Nine B	Dresden
L. 100	Low Knave A original: 'Sous-valet'. Corresponding to the German 'Unter' card.	Paris	Kh. 25. res. (2 copies original: 'ex^pl' for 'exemplaires')
L. 101	Low Knave B	Paris	Kh. 25. res.
L. 102	Knave original: 'Valet'. Corresponding to the German 'Ober' card.	Paris	Kh. 25. res.
L. 103	Queen	Paris	Kh. 25. res.
L. 104	King A	Paris	Kh. 25. res (formerly Ea 40. res.)
L. 105	King B	Paris	Kh. 25. res.

x x x. These three cards: two — three — seven — are formed from detached fragments which, according to Mr. Geisberg Max Geisberg (1875–1943), a scholar of early engraving.
p. 19 — would compose a second copy of the nine. — plus three fragments without a specific destination.
Mr. Lehrs p. 133. adopted this view on page 133. Max Lehrs (1855–1938), the art historian who compiled the definitive catalog of 15th-century German, Netherlandish, and French engravings.