⚠The manuscript page exhibits significant fading and water damage. The ink is extremely light in the lower half, particularly within the diagram. The text is written in a cursive Syriac Serto script which is difficult to decipher in its current state of preservation.

...?

...? who seeks ...?
...? he finds for himself ...? furthermore original: "tub" ...?
...? for him indeed to be searched or "examined" ...?
also because they have ...? of God original: "d-Alaha" ...?
...? of one of those who rejoice ...?
...? as original: "ayk" ...?
...? under the authority authority: "shultana," referring to power, dominion, or governing influence of those who do not know ...?
...? who are sustained in the sanctuary sanctuary: "qudsha," which can mean holiness itself or the physical sacred space where one is nourished spiritually ...?
...? for them original: "l-hun" ...?
...? that they might be submissive to the commandments commandments: "puqdana," divine orders or precepts given to the faithful ...?
...? except in one of these ...?
...? and not even if they have what is appropriate ...?
...? that they might be prepared for the service service: "teshmeshta," referring to liturgical ministry or the work of a servant of God ...?
...?

The bottom half of the folio contains a large, complex circular diagram. It features an outer border circle enclosing an intricate network of interwoven lines that form a symmetrical, knot-like pattern with multiple overlapping loops and pointed segments—resembling a stylized rose or a complex geometric "quincunx." Within the various compartments and intersections created by these lines, individual Syriac letters or short words are inscribed in very faint ink. This type of diagram is typical in medieval Syriac scholarly manuscripts for illustrating logical relationships, musical modes, or astronomical concepts, often associated with the works of polymaths like Bar Hebraeus.