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main outlines of his character, to bring out the peculiarity and originality of his religious genius, and in this way to discover in the original personality and reforming activity of Jesus the originating cause of the rise of the community of his disciples and their faith in him as the Messiah and his divine weak objection tomission. If in his closing essay Strauss had presented a underlinedreligious and moral description of Jesus of this nature, instead of a underlinedmetaphysical allegory as a substitute for the shattered mythological conception of tradition, though the objection of the church to his work would not have been wanting, it would then undoubtedly have taken a less passionately denunciatory form than was the case, in consequence of the purely negative character of the result, unrelieved by any modifying conclusion.
A vertical ink line in the left margin spanning the first five lines of the second paragraph.
In proportion to the strength of the feeling of these defects, shared by readers of all parties, was the urgency of the duty laid upon scientific theologians of preparing, by a renewed and more thorough examination of the Gospels, the stones of a new edifice to be reared upon the site laid bare by Strauss's critical labors. "In the darkness which criticism produces, by putting out all the lights hitherto thought to be historical, the eye has first to learn by gradual habit to again distinguish a few single objects," as Strauss himself remarked in his third edition. A handwritten brace or curly bracket in the right margin marking the quote from Strauss. But this difficult task was not accomplished by those apologists who endeavored to make good the damage by the antiquated arts of the harmonists, with their petty concessions, mystifications, and evasions, but by those courageous inquirers who, undeterred by dogmatic considerations, sought by a strictly historical method to set in the true light the exact composition and the mutual relations of the evangelical documents.