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of his labors in these factors. But inasmuch as Strauss confines himself to what he can deem the ascertained or probable facts, after a strict critique of the sources, the portrait delineated by him turns out naturally somewhat indistinct and defective in its outlines; the meagreness of the result answers to the caution of his historical conscience. Renan, on the other hand, feels no such scruples; in his criticism of the sources he goes to work with a much lighter heart, and claims for the biographer the right to help himself over the lacunæ gaps and obscurities or contradictions of his authorities by calling in the aid of the creative imagination, with its powers of combination and inference. By this means he has succeeded in presenting a life of Jesus distinguished for its epic vividness and dramatic development, but its æsthetic charm has been purchased at the price of its historical solidity. This novelistic feature becomes most questionable when it wanders into the vagaries of the naturalistic explanation of the miracles (e.g. the raising of Lazarus), and in such cases casts reflections on the moral character of Jesus. On the other hand, for Renan must be claimed the merit of having emphasized the social aspects of the Messianic mission of Jesus, and of having attempted to sketch the development of his inner life, a change in the phases of his reformatory labors. As to Strauss's second Life of Jesus, its strength lies, as in the first, not so much in the first part, which deals with the positive side of the history, as in the second part, where it comes to treat of the mythical side of the history. But in the second work, in the place of the analysis of the traditions given in the first, we get a synthetic presentation of the rise and gradual growth and elaboration, in