Manly P. Hall Collection, Box 4, Ms 19, Vol. 4

So it is best that the artist applies diligence to separate such things as well. These principia artis (principles of the art) can then be easily changed into a gold-yellow ☉ (Sun/Gold), namely in the heat in which the elements themselves melt. Thereby the way is greatly shortened, for in the $Δ$ (fiery) quality, only the red separates itself as the Signatur (signature) of the grimness, and from there it goes into the yellow or white, as the majestic color. The heaven-earthly quality then makes everything appear in a Clarificirtten leib (clarified body), which no element can harm anymore, yes, not even the $Δ$ (fire) itself, in which the elements melt from heat, because it only thereby becomes the true Sa La (✝/Salt) wanderer. Through this, the greatest wonders are performed, not only in all four mothers of the elements but also in Magia (magic) and Cabala (Kabbalah). And thus, it becomes revealed in the image of nature that ✝ (the Cross/Salt), misfortune, tribulation, and even death—and so long as body and soul are together, hell and its image itself—with their qualities are only the driving force through which one is forced to go on the shortest and safest path to life. Thus, everything must serve the good, indeed, only for the Exaltation of his pearl, as shall be explained further with the other letters and numbers.
When a man goes into repentance, he is handed over to this number so that he may feel disgust for all wickedness. The wicked, to be sure, also suffer, but against their will, with murmuring against God and his creatures, which should drive them to God. They wish all evil upon them (those who are good, entirely contrary to this, pray for their enemies) and thus provide martyrs and cross-bearers for the devil, who even on their best days only plagues and anguishes his own and never refreshes them (unless it is with an imagined joy that soon ends, leaving behind a gnawing worm) and thus makes their filth sour enough for them.