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Scene Eleven.
Erasto with Soldiers, and the aforementioned.
Scene Twelve.
Fidalbo, Erasto, Aurelio.
Scene Thirteen.
Giordano, and then Mascariglio.
Scene Fourteen.
Fidalbo, Aurelio, and the aforementioned, and then Albino.
Scene Fifteen.
Erasto dressed as a Turk, Giordano.
Scene Sixteen.
Fidalbo as a Turk with entourage, and the aforementioned.
Scene Seventeen.
Erasto, then Aurelio.
Scene Eighteen.
Mufti with entourage of Turks, Giordano.
Scene Nineteen.
Flaminio, and the aforementioned.
Scene Twenty.
Aurelio, Giordano, and the aforementioned.
Scene Twenty-one.
Erasto, Fidalbo, and the aforementioned.
Scene Twenty-two.
Mascariglio, and the aforementioned.
Scene Twenty-three.
Flaminio, and the aforementioned.
To indulge the clumsiness of Giordano, who believes himself to be a Mamamouchi a mock Turkish title used in Molière’s Le Bourgeois Gentilhomme and son-in-law of the son of the Great Turk, he is led by the Mufti before the image of Muhammad. He dances before it together with other Turks and Moors gathered there to honor the false Prophet. At the end of the dance, the image of Muhammad falls, and in its place appears a Fury, who puts the whole company to flight and finishes with a solo dance.
FRANCESCO CARREGA.
D. ORAZIO ALBANI, Prince of Soriano.
D. GUGLIELMO RUFFO, Prince of Palazzolo, of the Princes of Scilla.
The Count GASPARO MELZI.
The Count GALEOTTO GALEOTTI.
GIUSEPPE PASSI.
Mr. N. N.
The Count FRANCESCO GAMBARA.
D. GIO. FRANCESCO ALBANI of the Princes of Soriano.
The Marquis CARLO MOLINARI.
The Count PIETRO SPADA.
Knight Fra GIO. BATTISTA AMALFITANO of the Marquises of Cruccolo.
The Count NICCOLÒ GAMBARA.
GASPARO SERVANZI.
GIUSEPPE VINCENTINI.
The Count GIO. BATTISTA SCOTTI.
FERDINANDO GUASCONTI.
The Marquis GIUSEPPE SCARAMPI.
CARLO HORST, Free Baron of the Holy Roman Empire.
The Count GIUSEPPE LUBIESCHI.
GIUSEPPE GIOVANNELLI.
A blue oval library stamp at the bottom center reads "Bayerische Staatsbibliothek München".