Scientifically Arranged Catalog of a Collection of Musical Writings (1804) - Page 13

Freheri, P. Theater of Illustrious Learned Men original: "Theatrum Viror. erudit. claror.". Nuremberg, 1688. fol.

Freneuse. Comparison of Italian and French Music original: "Comparaison de la Musique ital. et franc.". Brussels, 1706. 8.
Fuhrmann. Satan’s Chapel original: "Satans Kapelle". Cologne, 1728. 8.
Same. Musical Currycomb original: "Musikalische Striegel", 1728. 8.
Same. Ailing Christianity and Triumphant Heathenism etc. original: "Siechendes Christenthum und siegendes Haidenthum 2c." Same place.
Same. Just Scales original: "Gerechte Waagschale". Altona, 8.
Galle, Dan., On the Hymns of the Ancient Church original: "De Hymnis Ecclesiae veteris". Wittenberg, 1736. 4.
Gando. Observations on M. Fournier’s Treatise original: "Observations sur le Traité de M. Fournier". Bern, 1766. fol.
Gerber, Er. Ludw., Lexicon of Tone-Artists, Volume I, II. Leipzig, 1789 and 1790. large 8.
Same. New Lexicon of Tone-Artists, or Supplements, Addenda, and Corrections to those already published. 1801. 3 volumes, Manuscript 4.
Same. Treatises and essays inserted in various journals, such as: a) Excerpt from a letter, 1770, see Hiller’s News, 4th year, p. 250. b) On collecting portraits of tone-artists, see Cramer’s Music Magazine, 1784, p. 962. c) Addendum to this same essay, see ibid. 1785, p. 194. d) News from the Paris Academy of Music, see Musical Newspaper, Speyer, 1788, p. 129. e) On the study of musical history, ibid. 1789, p. 186. f) Anecdotes of Farinelli, ibid. p. 356. g) Remarks on a review, ibid. 1791, p. 353. h) Attempt at a catalog of Haydn’s works, ibid. 1792, p. 130. i) History of music in Germany from the year 1794, see Annals of Germany for 1794, 1st vol. p. 279. k) To connoisseurs and lovers of music, see Berlin Archive of the Time, 1795, August issue. l) Something about the influence of the book trade on musical literature, see Literary Advertiser, 1797, No. XVII, p. 177. m) On the publication of a musical technical lexicon, to the Society of Friends of Literature, ibid. 1797, No. XVII, p. 181. n) On the public’s taste for Singspiele gloss: German musical plays with spoken dialogue, ibid. 1797, No. LXXXII, p. 833. o) On musical style, see Leipzig Musical Newspaper, 1798, p. 292 and 305. p) The Lark and the Mole, ibid. 1799, p. 207. q) On the origin of opera, ibid. 1800, p. 481. r) Something political from the realm of harmony, ibid.