Scientifically Arranged Catalog of a Collection of Musical Writings

1800, p. 625. s) On musical calendars, ibid. Vol. III, p. 723. t) On the simplification system, ibid. Vol. VI, p. 138. u) Closer illumination of the serpent gloss: a bass wind instrument, ibid. Vol. VI, p. 17. v) Remarks on a passage in the Literature Gazette, ibid. Vol. VI, p. 549. w) On the means to secure the memory of meritorious tone-artists for posterity. Manuscript.
Gerbert, Abbot Mart., On Sacred Song and Music original: "De Cantu et Musica sacr.". Vol. I, II. St. Blasien, 1774. large 4.
Same. Travels. Ulm, 1797. large 8.
Same. Writers on Sacred Music original: "Scriptores de Musica sacra". Vol. I, II, III. St. Blasien, 1784. large 4.
/ Gerlandi. Fragments on Music original: "Fragmenta de Music.". Century XII. See Gerbert. Script. Vol. II.
Ginguene, P. L., Notice on the Life and Works of Nic. Piccini original: "Notice sur la Vie et les Ouvrages de Nic. Piccini". Paris, 1801. large 8.
Göß. Standing address regarding Werkmeister note: Andreas Werkmeister, a famous music theorist. 1704. 4.
/ Gräfenhahn, W. C., Competition between painting, music, etc. original: "Wettstreit der Malerei, Musik, u. s. w." Bayreuth, 1746. 8.
Gresset. Speech, Harmony original: "Rede, die Harmonie". Berlin, 1752. 4. The same, translated by Baron, 1757. 8.
Gretry’s. Essay on Music, translated by Spazier. Leipzig, 1800. large 8.
Grimm. Letter on Omphale original: "Lettre sur Omphale". Paris, 1752. 8.

• Same. The Little Prophet of Boehmischbroda original: "Le petit Prophète de Boehmischbroda". Paris, 1753. 8.
  Grube, Herm., On the effect of the Tarantula and the power of music original: "De ictu Tarantulae et Vi mus.". Frankfurt, 1619. 8.
  / Gruber, J. G., Literature of Music. Nuremberg, 1783. 8. I.
  Same. Contributions to it. 1st piece, 1785. 2nd piece, 1790. Nuremberg, 8. II and V.
  Same. Biographies of some tone-artists. Nuremberg, 1786. 8. I.
  Guido, Aretin. a) Micrologus on the discipline of the art of music. b) Verses on the explanation of music and the order of his name. c) Rhythmic musical rules pronounced in the prologue of his Antiphoner. d) Other rules on unknown chant. e) Letter to Brother Michael regarding unknown chant. f) Corrective treatise on many errors occurring in Gregorian chant in many places. Century XIV. See Gerbert. Script. Vol. II.
  Gumpelzhaimer, Geo., On Academic Exercises. Strasbourg, 1652. 12.
  Häßlein and Gräter. Bragur, 3rd volume. Leipzig, 1794. 8.
  Harris, J., Three treatises on music, painting, and poetry. Danzig, 1756. 8.
  Hawkins, I., General History of Music, Vol. I — V. London, 1776. large 4.