Leopold, G. A. J., Thoughts on the history of music. Stendal, 1780. 8. I. The 21 Chapters of the Prophecy of Gabr. J. Nepomuc. 8. Letters on French music, in response to Rousseau original: "Lettres sur la musique franc. en reponse a Rousseau". Geneva, 1754. 8. XII. Letters on French music. Continuation of the letters in response to Rousseau. Geneva, 1754. 8.
Lingke, G. Fr., Defensive writing to the author of the Seven Conversations. Frankfurt, 1753. 4. VI. Lorber. Praise of Music. Weimar, 1696. 8. Same. Defense of Music. Weimar, 1697. 8. Lossius, Luc., Psalmody, with a Preface by Phil. Melancthon original: "Psalmodia, cum Praefat. Phil. Melanthonis". Wittenberg, 1569. 4. Lyceum of the Fine Arts, 1st volume. Berlin, 1797. Magius, Hier., On Bells original: "De Tintinnabulis". Hannover, 1608. The same, Amsterdam, 1664. 12.
Mainberger’s Justification against the Nuremberg Orchestra. Nuremberg, 1804. 4. Majoragius, M. A., Orations original: "Orationes". Venice, 1582. Marchetti de Padua. Music, or Lucidarium on the art of plain chant original: "Musica, seu Lucidarium in arte musica planae". 1274. See Gerbert. Script. Vol. III. Same. Pomerium on the art of measured music original: "Pomerium in arte musicae mensuratae". 1309. See Gerbert. Script. Vol. III.
Marpurg, Fr. W., Critical Musician on the Spree original: "Kritischer Musikus an der Spree". Berlin, 1750. 4. Same. Contributions to the acceptance of music, 1st volume, 1754. 2nd vol. 1756. 3rd vol. 1757. 4th vol. 1758. 5th vol. 1759. Berlin, 8.
— — Introduction to the history of ancient music. Berlin, 1758. 4.
— — Critical letters on the art of music, 1st volume, 1760. 2nd vol. 1761. 1st piece of the 3rd volume, 1761. Berlin, 4.
— — Piano pieces with practical instruction, 1st, 2nd, and 3rd part. Berlin, 1762 — 63.
— — Legend of some musical saints. Cologne, 1786. 8.
— — The materials for his organ history written down until his death. Manuscript, handwritten. Mattheson, J., Newly opened Orchestra original: "Neu eröffnetes Orchester". Hamburg, 1713. 12. Same. Protected Orchestra, 2nd opening, ibid. 1717. 12.
— — Investigating Orchestra, 3rd opening, ibid. 1721. 12.
— — Reflections on the clarification of a musical problem original: "Reflexions sur l'eclaircissement d'un Probl. de Mus.". Hamburg, 1720. 4.
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