The Four Gospels

This full-page Byzantine illustration depicts an Evangelist, traditionally identified as Saint Matthew, in the act of composition. The figure sits on a carved wooden bench topped with a large red cushion. His feet rest on a decorated footstool. He wears a large reddish-purple cloak over a blue tunic. His right hand is raised to his beard in a thoughtful gesture. His left hand holds an open book on his lap. To the right of the figure is a sophisticated writing desk or lectern with architectural details. It contains various compartments for writing materials. The background is a solid field of gold leaf. A border of concentric blue, white, and red lines frames the entire scene. Stylized leaf ornaments sit at the four corners. The surface shows significant damage. A large circular patch of paint and gold leaf is missing behind the figure's head.

original: "ΒΙΒΛΟC ΓΕΝΕCΕΩC". This refers to the record of lineage or the "genesis" of the family line.

original: "ΙΥ ΧΥ". These are shortened forms of the names Jesus and Christ, known as Nomina Sacra, which were used as a sign of reverence in Greek manuscripts.

original: "ΥΙΟΥ". This is the start of the phrase "Son of David," which continues the genealogy in the main text of the Gospel.