The Essence of the Manifested World Tantra

"Om Am Am Namah," "Om Am Kam Namah," "Om Am Kham Namah," and so on, up to the letter Ksha. This placement is the family of the previously mentioned A-kara. "Am Am Namah," "Am Kam Namah," "Am Kham Namah," and so on, as the family of the Aa-kara. "Im Am Namah," "Im Kam Namah," "Im Kham Namah," and so on, as the family of the I-kara. All ending in visarga the aspirate sound 'ah' should be inferred similarly. Again, "Kam Am Namah," "Kam Kam Namah," "Kam Kham Namah," "Kam Gam Namah," and so on, as the family of the Ka-letter located on the petal of the Ka-lotus. Again, "Kam Am Namah," "Kam Kam Namah," "Kam Kham Namah," "Kam Gam Namah," and so on, is similar as the family of the Ka-letter. Again, "Kham Am Namah," "Kham Kam Namah," "Kham Kham Namah," "Kham Gam Namah," and so on, should all be inferred as the family of the Kha-letter located on the petal of the Kha-lotus. This is the order of Brahma-Brahma recitation. "Am Am Namah," "Am Kam Namah," "Am Kham Namah," and so on, is the order of Brahma-Vishnu recitation. "Am Im Namah," "Am Kim Namah," "Am Khim Namah," and so on, is the order of Brahma-Rudra recitation. "Am Im Namah," "Am Kim Namah," and so on, is that of Vishnu-Brahma. "Am Um Namah," "Am Kum Namah," and so on, is that of Vishnu-Vishnu. "Am Um Namah," "Am Kum Namah," and so on, is that of Vishnu-Rudra. "Am Rim Namah," "Am Krim Namah," and so on, is that of Rudra-Brahma. "Am Rim Namah," "Am Krim Namah," and so on, is that of Rudra-Vishnu. "Am Lam Namah," "Am Hlam Namah," and so on, is that of Rudra-Rudra. "Am Lrim Namah," "Am Lrim Namah," and so on, is that of Brahma-Sarveshvara. "Am Em Namah," "Am Kem Namah," and so on, is that of Vishnu-Sarveshvara. "Am Aim Namah," "Am Kaim Namah," and so on, is that of Rudra-Sarveshvara. "Am Om Namah," "Am Kom Namah," and so on, is that of Sarveshvara. "Am Aum Namah," "Am Kaum Namah," and so on, is that of the Four-Formed Vishnu. "Am Ah Namah," "Am Kam Namah," and so on, is that of the Witness. "Am Ah Namah," "Am Kah Namah," and so on, is that of the Supreme Brahma: this is the order of recitation. Since mantra variations also have the nature of letter-composition like the recitation order, that too is indicated by "composed."

Now, he states the order of recitation variation according to the variation of those mantras, beginning with "With the seven groups of letters beginning with A, Ka, Cha, Ta, Ta, Pa, Ya..." The groups are Brahma, Saraswati, Vishnu, Sri, Rudra, Uma, and Sarveshvara—the seven mantra groups. After the mentioned recitation mantras, one must utter those mantras and perform the nyasa placement, etc. Enough with the expansion of the gross, which is the meaning of the infinite Vaikhari articulate speech.

Now, he describes the subtle subject, which is the Madhyama middle stage of speech, its meaning, Hiranyagarbha the Golden Womb/Cosmic Intellect, and the bindu point/drop form: "Mistress of the entire universe." Because all living beings are born composed of aspects, truths, worlds, arts, letters, words, and mantras, she is the "Mistress of the entire universe." The word "Ga" in the Sanskrit compound refers to prana vital life force, which is the inverter of speech and consists merely of the power of action. The word "Dhee" refers to the power of knowledge.