TABLE OF THE CHAPTERS OF THE FIRST BOOK.


On the definition of painting. Chapter 1.	on page 19.
On the division of painting, Chapter 2.	on page 28.
On the virtue and praise of proportion, Chapter 3.	on page 32.
On the necessity and definition of proportion, Chapter 4.	on page 34.
On the external members of the human body, Chapter 5.	on page 36.
On the proportion of the human body of ten faces Lomazzo uses "faces" (the distance from the chin to the hairline) and "heads" (the full height of the skull) as standard units of measurement to define ideal physical types. in length and width, Chapter 5. The original text repeats "Chapter 5" for this entry.	on page 40.
On the choice proportion of the male body of ten faces, Chapter 6.	on page 43.
On the extravagant In this context, "extravagant" refers to unusual or non-standard proportions, often used for depicting giants or extraordinary figures. proportion of ten heads, Chapter 7.	on page 45.
On the proportion of the young body of nine heads, Chapter 8.	on page 47.
On the proportion of the male body of eight heads, Chapter 9.	on page 50.
On the proportion of the male body of seven heads, Chapter 10.	on page 52.
On the proportion of the female body of ten faces, Chapter 11.	on page 54.
Proportion of the female body of ten heads, Chapter 12.	on page 56.
On the proportion of the female body of nine faces, Chapter 13.	on page 58.
On the proportion of the female body of nine heads, Chapter 14.	on page 60.
On the proportion of the female body of seven heads, Chapter 15.	on page 61.
On the proportion of the child of six heads, Chapter 16.	on page 63.
On the proportion of the child of five heads, Chapter 17.	on page 64.
On the proportion of the child of four heads, Chapter 18.	on page 66.
On the particular external members of the horse and their names, Chapter 19.	on page 68.
On the proportion of the horse from the front and from behind, Chapter 20.	on page 71.
On the measurements of the horse from member to member, Chapter 21.	on page 73.
On the proportion of the orders of architecture in general, Chapter 22.	on page 74.
On the proportion of the Tuscan order, Chapter 23.	on page 79.
On the proportion of the Doric order, Chapter 24.	on page 80.
On the proportion of the Ionic order, Chapter 27. The chapter numbering in the original source skips or repeats; here Ionic is labeled 27 despite following 24.	on page 83.
On the proportion of the Corinthian order, Chapter 25.	on page 86.
On the proportion of the Composite order, Chapter 26.	on page 89.
On the proportion of the intercolumniation, and of the columns according to them, and their tapering, and of their aspects, Chapter 27.	on page 91.
How also the measurements of ships, temples, buildings, and other things are drawn from the human body, Chapter 28.	on page 94.

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