This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.

From where all proportions arise, Chapter XXIX. on page 99.
On the power of proportion, and how through it the sizes of colossi Colossi are monumental statues of immense size, modeled after ancient wonders like the Colossus of Rhodes. can be introduced, Chapter XXX. on page 101.
On the power and efficacy of motions motions (moti): the physical gestures, postures, and facial expressions that an artist uses to convey a figure's internal state.. Chapter I. on page 105.
On the necessity of motion, Chapter II. on page 108.
On the passions of the soul In the Renaissance, "passions of the soul" referred to emotions or psychological states, which were thought to be physical movements of the spirit within the body., and their origin and difference, Chapter III. on page 113.
How the body changes through the passions of the soul, Chapter IIII. on page 114.
In which bodies the passions of the soul have more power, Chapter V. on page 115.
How the body is also changed by way of imitation, Chapter VI. on page 118.
On the motions of the seven Governors of the world The "seven Governors" are the seven celestial bodies of traditional astrology—the Sun, Moon, Mercury, Venus, Mars, Jupiter, and Saturn—which were believed to influence human temperaments and movements., Chapter VII. on page 120.
How all motions can occur accidentally in everyone, though in different ways, Chapter VIII. on page 125.
On the motions of melancholy, timidity, malice, avarice, slowness, envy, coarseness, and anxiety, Chapter IX. on page 128.
On the motions of fortitude, fidelity, justice, devotion, majesty, and constancy, Chapter X. on page 131.
On the motions of audacity, robustness, ferocity, horror, fury, wrath, cruelty, impetus, rage, harshness, dread, obstinacy, disdain, impiety, injury, hatred, pride, vanity, and daring, Chapter XI. on page 134.
On the motions of honor, command, nobility, magnanimity, liberality, excellence, benignity, discretion, joy, and piety, Chapter XII. on page 141.
On the motions of charm, grace, loveliness, elegance, gentleness, courtesy, flattery, blandishments, adulation, lovingness, embrace, kiss, lasciviousness, indecency, celebration, pomp, song, dance, play, joy, tranquility, delight, recreation, and sweetness, Chapter XIII. on page 145.
On the motions of prudence, astuteness, malice, insight, trickery, theft, honesty, modesty, quiet, and exercise, Chapter XIIII. on page 146.
On the motions of credulity, fear, humility, volubility, servitude, reverence, shame, mercy, and simplicity, Chapter XV. on page 160.
On the motions of pain, wonder, death, madness, sloth, despair, distress, caprice, patience, and epilepsy, Chapter XVI. on page 165.
On various other very necessary motions, Chapter XVII. on page 171.
On the friendship and enmity of motions, and their pairings, Chapter XVIII. on page 169.
On some motions of horses, Chapter XIX. on page 171.