This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.

Of the form of Fame Likely the personification of Fame, often depicted with wings and trumpets., chapter 18, at page 598.
Of the form of the winds, chapter 19, at page 601.
Of the form of the Earth, chapter 20, at page 604.
Of the form of Pan The original Italian Pane refers here to the Greek god of the wild, not bread., of Echo, and of the Satyrs, Fauns, and Silvans Various woodland spirits from classical mythology., chapter 21, at page 609.
Of the form of the Nymphs, chapter 22, at page 611.
Of the form of the human body, and of its creators The term artefici refers to those who "craft" or understand the body, possibly referring to God as the divine architect or anatomists and artists., chapter 23, at page 613.
Form of the bones in the human body, chapter 24, at page 615.
Of the form of Heroes, of saints, and of Philosophers, chapter 25, at page 621.
Of the form of monstrous men, chapter 26, at page 636.
Of the form of garments and of arms, chapter 27, at page 639.
Of the form of temples and other buildings, chapter 28, at page 649.
Of the form of certain Gods imagined by the ancients, Chapter 29, at page 656.
Of the form of certain infernal monsters and of Minos, Aeacus, and Rhadamanthus The three legendary judges of the underworld in Greek mythology., chapter 30, at page 666.
Of the form of Pluto, of Proserpina, and of the Fates The Parche or Parcae, who spun, measured, and cut the thread of life., chapter 31.
Of the form of the three infernal Furies, chapter 32, at page 669.
Conclusion of the entire work, chapter 33, at page 618 The page number 618 appears in the original, though it follows page 669, suggesting a potential printing error in the original manuscript's numbering..