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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original file"I modi" - Jean Frédéric Maximilien de Waldeck - After Marcantonio Raimondi - Production date 19thC - British Museum 5 of 11
Jean Frédéric Maximilien de Waldeck
The scene depicts a muscular, bearded satyr with pointed ears kneeling on a bench to penetrate a standing woman from behind. The woman, shown in profile, rests one foot on a low pedestal and raises the other leg while being supported by the satyr. They are positioned in an interior with a basin on a small table to the left, a large bed with an ornamental lion-headed footboard to the right, and a pitcher on the table. The lighting is chiaroscuro, emphasizing the musculature of the satyr and the smooth forms of the woman.
This print is part of a 19th-century revival of the notorious Renaissance 'I modi' (The Ways) series, originally designed by Giulio Romano and engraved by Marcantonio Raimondi, which scandalized 16th-century Rome by depicting various sexual positions. Waldeck's reproduction reflects the 19th-century antiquarian interest in erotic classical subjects, blending neoclassical aesthetics with the illicit reputation of the original Renaissance series.
12 n° 3
Translation
12 no. 3
Pietro Aretino
The original Renaissance series by Marcantonio Raimondi inspired the sonnets by Pietro Aretino known as 'I modi'.
Object
lithography
laid paper
19th century
French
genre-scene
Digital Source
Wikimedia Commons · Public domain
2245 × 1631 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 19, 2026. Getty identifiers are AI-inferred and may require verification.