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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original file'Temptation of St. Anthony' (ca. 1625) by Peter de Brueghel, the Younger - Museo Soumaya - Mexico 2024
In the center foreground, Saint Anthony in a brown habit kneels and reads from a book, ignoring a group of figures seated at a table to his right. This group includes women in contemporary 17th-century dress, a bird-headed creature serving food, and others engaging in conversation. Above them, in a bare, skeletal tree, a monk sits beside a female figure wearing a crescent moon headdress, who plays a lute. The background features a burning village, a body of water with a boat carrying figures, and a rocky outcrop on the left. The scene is populated by grotesque hybrid creatures, including a small being with an animal-like body dragging a leash, and scattered objects like a barrel and coins, suggesting a struggle between spiritual devotion and worldly or demonic distraction.
This painting belongs to the tradition of 'diableries' popularized by Hieronymus Bosch, depicting the trials of Saint Anthony as an allegory for the dangers of carnal desire, gluttony, and the subversion of spiritual focus by the demonic.
Athanasius of Alexandria, Life of Saint Anthony
This text established the foundational narrative of Saint Anthony being physically and mentally tormented by demons in the desert, which serves as the primary literary source for this iconographic tradition.
Object
oil painting
panel (wood)
Baroque
Flemish
religious
Digital Source
Wikimedia Commons · Public domain
4720 × 3482 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.