This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileFra Angelico, Angel Playing a Tambourine, detail from the Linaiuoli Triptych, 1433
This panel shows a winged angel standing on a small cloud, dressed in a flowing violet robe with detailed gold embroidery. The figure holds a tambourine aloft, poised to strike it, as part of a celestial orchestra surrounding a central religious scene. The background is composed of flat, burnished gold leaf, typical of the early Florentine Renaissance style.
Musical angels in Renaissance art reflect the concept of 'musica mundana' or the harmony of the spheres, a Pythagorean and Neoplatonic idea that the cosmos is governed by musical and mathematical proportions. This theological aesthetic aligns with the writings of Pseudo-Dionysius the Areopagite, whose 'Celestial Hierarchy' influenced the period's understanding of angelic orders as conduits of divine light and sound.
Pseudo-Dionysius the Areopagite
His 'Celestial Hierarchy' provided the theological framework for the various orders of angels and their roles in the divine liturgy depicted in Renaissance art.
Marsilio Ficino
Ficino's later theories on music therapy and planetary harmonies built upon the existing Florentine tradition of depicting celestial music as a bridge to the divine.
Object
the Linaivoli Triptych
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.meisterdrucke.us/fine-art-prints/Fra-(c.1387-1455)-Angelico/1376675/Tabernacle-of-the-Linen-Drapers.html Original from the Linaivoli Triptych, 1433.
Public domain
420 × 1260 px
100dc292bb8528cda800ed768fc0ab32e76f3e5e
January 12, 2025
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.