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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileSix distinct scenes are arranged in a grid, each bordered by scrolls containing Latin scripture. The figures are rendered with clear, rhythmic poses against architectural or landscape backgrounds, showing the transition from Late Gothic to Early Renaissance styles. Each New Testament scene is paired with an Old Testament prophecy, creating a visual dialogue between different parts of the Bible.
Commissioned by Piero de' Medici, these panels utilize biblical typology to demonstrate the continuity of divine law. This structured pairing of prophecy and fulfillment reflects the intellectual environment of the Medici circle and the Dominican tradition of scriptural concordance, which served as a precursor to the Neoplatonic syntheses of the later 15th century.
AGNVM EIVSDEM ANNI INMACVLATVM FACIET SACRIFICIVM ECECHIE.XLVI APPENDERVNT MERCEDEM MEAM TRIGINTA ARGENTEOS. ZACHARIE.II. C PARAVERVNT PASCA CVM ESSET HORA DISCVBVIT IHS Z DVODECIM DISCIPVLI. LVCE XXII. C NE TIMEAS QVIA TECVM SVM EGO DEVS CONFORTAVI TE YSAIE.XXXXI. C APPARVIT AT EI ANGELVS DE CELO CONFORTANS EVM. LVCE. XXII. C QVID VVLTIS MICHI DARE Z EGO TRADAM ILLVM AT ILLI CONSTITVERVNT EI XXX ARGENTEOS. M. XXVI QVI EDEBAT PANES MEOS MAGNIFICAVIT SVP ME SVPPLANTATIONEM. PS. XL. FACIEM MEAM NON AVERTIT AB INCREPANTIB' Z CONSPVENTIB' IN ME. ISAIE. L. C. ILLVDEBANT EI CEDENTES Z VELAVERUNT FACIEM EIVS. LVCE. XXII. C ET CONFESTIM ACCEDENS IVDAS AD XPM DIXIT AVE RABBI Z OSCVLATVS E' EV. M. XXVI EGO IN FLAGELLA PARATVS SVM Z DOLOR MEVS INCONSPECTV TVO SEMPER. PS. XXXVII TUNC APPREHENDIT PILATVS IESVM ET FLAGELLAVIT. IO. XIX
Translation
He shall make an unblemished lamb of the same year a sacrifice (Ezekiel 46). They weighed for my price thirty pieces of silver (Zechariah 11). They prepared the Passover; when the hour came, Jesus sat down with the twelve disciples (Luke 22). Fear not, for I am with you; I am your God who has strengthened you (Isaiah 41). An angel from heaven appeared to him, strengthening him (Luke 22). What will you give me and I will deliver him to you? And they appointed him thirty pieces of silver (Matthew 26). He who ate my bread has greatly supplanted me (Psalm 41). I turned not away my face from them that rebuked me and spit upon me (Isaiah 50). They mocked him and beat him and covered his face (Luke 22). And immediately Judas came to Christ and said, Hail Rabbi, and kissed him (Matthew 26). I am ready for scourges and my sorrow is always before me (Psalm 38). Then Pilate took Jesus and scourged him (John 19).
Thomas Aquinas
Fra Angelico was a Dominican monk whose visual programs were deeply influenced by the Thomist emphasis on the literal and prophetic senses of scripture.
Biblia Pauperum
The arrangement of the panels follows the tradition of 'Bibles for the Poor,' which used visual typologies to explain theological connections.
Object
Web Gallery of Art
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"a/angelico/11/5armadio"
Public domain
4680 × 1302 px
6f1ca8a713f2717953fb4f99034ad2d0c83c2272
June 9, 2011
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.