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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis elaborate engraving depicts the central figure of Beneficence holding a flaming sun, seated beside a lion that holds a snake. Surrounding this scene are various allegorical figures representing qualities such as generosity and ingratitude, set within an intricate architectural frame topped by symbols of maternal nourishment. The composition is highly dense, filled with classical-style nudes and small cartouches containing moralizing text.
The work reflects the Humanist concern with the tension between innate moral disposition and social action, often discussed in Neo-Stoic and Neoplatonic tracts of the late 16th century regarding the education of the soul. It echoes the themes of divine influence and the struggle to align human nature with higher, celestial virtues.
NATURAE SEQUITUR SEMINA QUISQUE SUAE INGRATIS SERVIRE NEFAS Non perit, bonis quod fit bene. Beneficentia Quoniam fiet aequis Dies Oblivio Bona tolles in Providencia adest Meligrites Cornelius Cornelij ex. Hendrick Goltzius sculp. et excud. (variant of publisher info obscured in cartouche) Robbertus de Baudous Excudebat. Post mala ab alto vis Solis quatit, et tollit aquas, et purgat inane. Ingratae sublestitio, fessa Seque nova in corda, revocat, nova Concessu gaudet ab ore bonis. Ista, quod ipsa diu, tot perpessa velana. Gobba loco, libera, non a filia. Nunc benet, novis bona fenestra, comit Polio: ex qua, non in, ab aure. Polyph. Ambustis quae fiet, et haec, pro lenone, illa super, fas, Regi, per posset refrigerio, et ex illa causa, bonis, ut et.
Translation
Every man follows the seeds of his own nature. It is a sin to serve the ungrateful. What is done well for the good does not perish. Beneficence Since it will be done to the just Day of Oblivion [You will] take away the good things Providence is present (Greek: Honey-eater/Bee-like) [Publisher and engraver credit lines] [Latin poem fragment, likely allegorical commentary on the purging of the soul/nature by the Sun/Providence]
Seneca, De Beneficiis
The iconography and the text 'Beneficentia' draw directly from Stoic treatises on the nature of giving and gratitude.
Object
Engraving on ivory laid paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 15, 2026. Getty identifiers are AI-inferred and may require verification.