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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis engraving illustrates the sense of sight through a complex scene involving a painter, a female figure representing vision, and a winged infant holding a mirror. The composition is crowded with tools of inquiry and perception, including a celestial globe, a sundial, and various scientific instruments, while an eagle—often associated with keen vision—soars in the background. The interaction between the act of painting the figure and the mirror's reflection emphasizes the relationship between reality and artistic representation.
The print exemplifies the early modern preoccupation with the mechanisms of human perception and the 'science' of optics, bridging the gap between natural philosophy and art theory. It echoes Neoplatonic concerns regarding the deception of the senses and the role of the mirror as both a tool for self-knowledge and a source of illusory reflection.
Hd. Inuent. I. Saenr. sculpsit R. de baudous excudit, 1616 Hac memini nocuisse atque oblectasse videntes.
Translation
Hd. invented. I. Saenr. engraved R. de baudous published, 1616 I remember these things have harmed and delighted those who see.
Marsilio Ficino
Ficino's extensive writings on the 'spiritus' and the transmission of light and visual impressions through the eyes heavily influenced the intellectual climate in which sight was allegorized.
Object
Engraving on laid paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 15, 2026. Getty identifiers are AI-inferred and may require verification.