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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis engraving features the famous Roman marble sculpture of the god Apollo standing in a niche, identifiable by his quiver and the serpent-entwined tree trunk beside him. To the lower right, a man in 16th-century attire is shown in the act of drawing the statue, highlighting the Renaissance interest in classical antiquity as a model for artistic study. The image utilizes dramatic shading to emphasize the physical form and proportions of the antique figure.
The Apollo Belvedere was central to Renaissance Neoplatonic theories of ideal beauty and human proportion. Its presence in the canon of classical art profoundly influenced humanistic education and the development of the 'ideal' body in European art.
APOLLO PYTHIUS Vix natus armis Delius Vulcani Donatis infans, sacra Parnasi iuga. Status antiqua Roma in palatis Pontificis belle vider opus posthumum Goltzij iam primum divulgat An. M. DC. XVII. Pity, draconem matris hastam spiculis Pythona fixi: nomen inde Pythij.
Translation
APOLLO PYTHIUS Barely born, the Delian infant, with Vulcan's weapons gifted, [seeks] the sacred ridges of Parnassus. Statue of ancient Rome in the palace of the Pontiff, beautifully seen posthumous work of Goltzius, now first published in the year 1617. Python, the dragon of my mother, I pierced with the javelins of my spear: hence the name Pythius.
Marsilio Ficino
Ficino's Neoplatonic emphasis on the divine beauty of the human form as a reflection of the celestial realm provided the intellectual climate for the veneration of such classical statues.
Object
Engraving
mythological
Digital Source
Unknown · Public domain
Linked Data
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