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Original fileCharity — from The Seven Virtues
Jacob Matham (after Hendrick Goltzius)
About This Work
This engraving depicts Charity as a nurturing mother figure, surrounded by three children. She is shown in a forest setting, with one child at her breast, another leaning against her shoulder, and a third holding a small cross, a visual shorthand for religious devotion. The artist employs distinct hatching and cross-hatching to create depth and texture in the drapery and surrounding foliage.
The print is part of a series representing the Seven Virtues, a central thematic pillar in medieval and Renaissance moral philosophy that integrated classical ethical structures with Christian doctrine. The inclusion of the cross held by the child emphasizes the theological dimension of Charity (Caritas) as the greatest of the three theological virtues.
Inscriptions(Latin)
3 Quatum vis magnos dulce est mihi ferre labores, Quos flagrans amor edulcat, vehemensq[ue] cupido.
Translation
3 However great the labors may be, it is sweet for me to bear them, Which burning love and intense desire sweeten.
Connected Texts
Thomas Aquinas
Aquinas provides the foundational systematic analysis of Caritas (Charity) in the Summa Theologica, defining it as the foundational virtue of the soul.
Collections
Provenance & Source
Object
Engraving on paper
allegory
Digital Source
Unknown · Public domain
Linked Data
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