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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileAnonymous (Mughal, court of Akbar)
This scene captures a group of riders and footmen navigating a mountainous terrain, with several figures interacting with hawks or falcons. The composition reflects the courtly pastimes of the mid-16th-century Mughal Empire, utilizing vibrant watercolors and gold pigments to highlight the elaborate garments and active poses of the hunters. The accompanying page features ornate calligraphy and floral illumination, typical of high-status Persianate manuscripts of the period.
Falconry served as a symbolic manifestation of sovereignty and the refinement of the ruler, reflecting a synthesis of Persianate court culture and Central Asian steppe traditions that shaped the Mughal ethos of kingship. It is a material representation of the 'Mirror for Princes' tradition, which articulated the duties and noble leisure activities required of a legitimate ruler.
زمیین نمایی پس کا اشکار / نهان در ویی اشکارتی مدار علی هست قصد جانیم ساقی / سر هجران و دین آر و در آر سرین جانب سمنجانی جوی / که کاری بر کف است این بی شمار سلطان محمود ز جم و رستم و رستم / تا جا کجا هوش گاندزار
Translation
The land appears behind the hunt / Hidden within it is the secret of the manifestation. Ali, the intention of the soul is the cupbearer / Bring and arrange the secret of separation and religion. Seek the Sumanjani [region/type] on this side / For this work is uncountable in the palm of the hand. Sultan Mahmud From Jam and Rustam and Rustam / Until where the intellect reaches [illegible/archaic].
Nizam al-Mulk, Siyasatnama (Book of Government)
This text provides the classical Persian framework for the regulation and symbolic importance of falconry as an exercise for princes.
Object
Opaque watercolor, ink, and gold on paper
genre-scene
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 14, 2026. Getty identifiers are AI-inferred and may require verification.