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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileIn this etching, several hunched, monstrous figures in clerical habits are seen in a state of frantic retreat or chaotic movement as light begins to penetrate their space. Their mouths are agape in expressions of distress or sudden realization, suggesting a desperate attempt to vanish before the arrival of the new day. The stark contrast between the dark, shadowy forms and the emerging light emphasizes the themes of superstition and the exposure of hidden vices.
As part of Goya's 'Los Caprichos', the work functions as a social critique of the ignorance and corruption that haunted Enlightenment-era Spain, often personified through the lens of folk demonology and the grotesque. It stands as a significant bridge between the late-period interest in the 'uncanny' and the rationalist desire to dispel the darkness of institutional obscurantism.
80. Ya es hora.
Translation
80. It is time.
Francisco Goya
Goya's 'Los Caprichos' sequence serves as a primary source for the visual representation of the 'nightmare' and the grotesque in late 18th-century European thought.
Object
Gum tempera on paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 14, 2026. Getty identifiers are AI-inferred and may require verification.