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500 images extracted
This vibrant miniature depicts the court of King Parikshit (Raja Prikhshat Sabha), a pivotal figure in the Bhagavata Purana. The upper register shows the king in humble discourse with the sage Shukadeva, who is narrating the sacred text to him before his destined death. The lower register illustrates the assembly of sages and courtiers witnessing this profound spiritual transmission, rendered in a style characteristic of traditional Indian manuscript illustration.

This intricate diagram, known as a Rashichakra, illustrates the twelve signs of the zodiac and their associated planetary rulers according to Vedic astrology. At its center, a vertical axis shaped like a trident (Trishula) anchors the celestial arrangement, highlighting the interconnectedness of cosmic forces. Such diagrams are essential tools in the study of the Brihat Jataka, a foundational text on horoscopy by the 6th-century polymath Varahamihira.
This intricate painting depicts a yogi in deep meditation, revealing the 'subtle body' and its primary energy centers known as chakras. Each chakra is illustrated with its corresponding deity and symbolic attributes, tracing the path of spiritual awakening from the base of the spine to the crown of the head. Such diagrams served as vital visual aids for practitioners of Tantric yoga, guiding them through complex internal visualizations and meditative practices.

This woodcut illustration depicts Lord Ganesha, the Hindu deity of beginnings and remover of obstacles, seated between two attendants. It marks the auspicious opening of a Sanskrit manual dedicated to the rituals of the nine celestial bodies (Navagrahas).
This vibrant illustration depicts a multi-armed deity, possibly a form of the goddess Durga or another powerful divinity, seated upon her celestial vehicle. She brandishes a variety of symbolic weapons and objects, representing her diverse powers and role in maintaining cosmic balance. The use of bold outlines and a striking blue for the animal mount is characteristic of traditional South Asian manuscript illustration styles.

This diagram from a Telugu publication illustrates early aviation technology, comparing the capabilities of an airplane and a dirigible. It features detailed annotations in Telugu regarding speed, range, and altitude, reflecting the global interest in aeronautics at the turn of the century. The illustration provides a fascinating glimpse into how modern scientific concepts were communicated in regional Indian languages during the colonial period.
This emblem is the official seal of the Theosophical Society, founded in 1875. It incorporates symbols from various traditions—the Egyptian ankh, the Hindu swastika, the Jewish hexagram, and the Gnostic ouroboros—to represent the synthesis of science, religion, and philosophy.
This portrait depicts Rudolf Steiner (1861–1925), the Austrian philosopher and founder of anthroposophy. He is shown in a formal pose with his characteristic large bow tie, his intense gaze and clasped hands conveying a sense of profound intellectual focus. This image serves as a definitive visual record of a man whose ideas significantly impacted education, agriculture, and the arts in the early 20th century.

This intricate diagram, rendered in red ink, represents various 'chakras' or astrological charts used in traditional Indian divination. The left portion shows a nested rectangular structure, while the right features three distinct grids labeled for different types of predictions. Such diagrams were essential tools for practitioners of Jyotisha (astrology) to calculate and visualize celestial influences.
60 works of visual art in this collection
Aniko (Nepalese, active in Tibet mid- to late 1200s)
The Buddhist deity Green Tara seated in the posture of royal ease on a lotus throne within an ornate architectural gateway.
Anonymous (Central India)
A fragmentary stone sculpture depicting the Hindu goddess Durga in the act of slaying the buffalo demon Mahisha.
Anonymous (Central India)
A wide-mouthed, carinated sandstone vessel decorated with horizontal registers of swirling wave-like patterns and stylized figures of deer or ibex.
Anonymous (Central Tibet)
This painting depicts the central figure of Vairochana in the guise of Vajrasattva, seated in meditation with his hands in the dharmachakra mudra, surrounded by a retinue of bodhisattvas and other deities.
Anonymous (Central Tibetan)
The wrathful deity Mahakala (specifically the two-armed Panjarnata form) stands centrally, surrounded by an entourage of secondary protective deities and lineage lamas.
Anonymous (Chola, South India)
This object is a small, rectangular bronze plaque featuring champlevé enamel decoration in geometric and floral patterns, likely used as an architectural or furniture fitting.
Anonymous (Chola, South India)
A bronze sculpture of the Hindu deity Shiva depicted as Nataraja, the Lord of Dance, performing the Ananda Tandava within a flaming circular aureole.
Anonymous (Gandhara)
A schist fragment depicting a yakshi or female attendant figure, often associated with Buddhist narrative reliefs from Gandhara.
Anonymous (Gandhara, Kushan period)
A fragmentary schist relief depicting the torso and limbs of the Buddha, showing his characteristic posture and soft, idealized physique.
Anonymous (Gujarat)
A miniature painting depicting a courtly scene with a prince on horseback encountering women, one of whom is on a swing, set within a lush landscape.
Anonymous (Indian)
The Hindu goddess Durga is depicted in her Mahishasura-mardini form, multi-armed and standing over the buffalo demon Mahishasura as she strikes him with a trident.
Anonymous (Indian)
A copper alloy sculpture depicting Yashoda nursing the infant Krishna, a central episode from the life of the deity Krishna.
Anonymous (Indian, Gupta period)
The Hindu deity Krishna is depicted struggling with and killing the horse-demon Keshi.
Anonymous (Kashmir or Himachal Pradesh)
This stone sculpture depicts the Hindu deity Vishnu seated on his mount, the mythical bird-man Garuda.
Anonymous (Kashmir)
A gold solidus coin featuring the Byzantine Emperor Justinian I on the obverse and a winged Victory holding a cross on the reverse.
Texts from the Hindu, Buddhist, Jain, and syncretic spiritual traditions of South Asia. The collection spans from medieval Sanskrit manuscripts to nineteenth-century compilations, covering yoga, tantra, Vedic philosophy, jyotish (astrology), ayurveda, and devotional literature across multiple Indic languages.
Holdings include Purnananda Yati's Satchakranirupanam on the six chakras (1577), the Gheranda Samhita on hatha yoga (c. 1675), Daivagya Ramacharya's Muhurta Chintamani on electional astrology (1590), and the Surya Siddhanta astronomical treatise (1603 edition). The collection contains 63 first-ever English translations — primarily Sanskrit works on astrology, yoga, tantra, and Vedic ritual that have never before been available in English. These include texts on nakshatras, planetary remediation, nadi divination, and esoteric physiology.
The foundational texts of this tradition
Abū Ḥāmid al-Ghazālī, 1115
These texts mark a pivotal shift in Vedic thought, moving from ritual sacrifice to profound philosophical inquiry into the nature of Brahman (ultimate reality) and Atman (the self).
Edwin Arnold (trans.), 1885
This iconic dialogue within the Mahabharata synthesizes diverse Vedic philosophies, offering a timeless guide to dharma, karma, devotion (bhakti), and the path to liberation.
Patanjali / Vyasa, 1910
Patanjali's Yoga Sutras, accompanied by Vyasa's essential commentary, provide the foundational framework for classical Yoga, outlining the eight limbs for mental and spiritual discipline.
Traditional, 1917
A cornerstone of Tantric wisdom, this text presents the Kula path as a unique synthesis of philosophical systems, promising both worldly enjoyment and spiritual liberation.
Padmasambhava / Evans-Wentz, 1927First from Tibetan
This seminal text guides the deceased through the intermediate state (bardo) between death and rebirth, offering profound insights into consciousness, karma, and the path to liberation in Tibetan Buddhism.
Significant texts that deepen understanding
Ranganatha, 1603
This monumental text synthesizes divine mythology with sophisticated mathematical astronomy, serving as a primary source for understanding ancient Indian cosmology and timekeeping.
Aryabhata, 1431First Complete Translation
Aryabhata's 5th-century work is a seminal text in Indian mathematics and astronomy, introducing concepts like place-value notation, trigonometry, and a geocentric model of the solar system.
Brahmagupta, 1817First Complete Translation
Brahmagupta's work is a pivotal text in the history of science, introducing the concept of zero as a number and laying down rules for arithmetic operations with negative numbers.
Mahaviracharya, 850
As the earliest Indian text entirely devoted to mathematics, this work by Mahaviracharya showcases advanced arithmetic, algebraic, and geometric concepts, marking a significant departure from astrological focus.
Varahamihira; ed. Baldev Prasad Misra, 1900
Varahamihira's encyclopedic work is a monumental synthesis of ancient Indian sciences, covering diverse topics from astronomy and meteorology to architecture, gemology, and social ethics.
Venkatesa Daivagya, 1350
This foundational pillar of Vedic Astrology offers an exhaustive exploration of the twelve houses of the natal chart, providing unprecedented detail for interpreting life's journey.
Nilakantha, 1587
Nilakantha’s work is a groundbreaking synthesis of traditional Indian astrology with Perso-Arabic (Tajika) systems, offering sophisticated methods for timing pivotal life moments.
Svatmarama, 1450
This classical manual presents Hatha Yoga as a powerful path to spiritual realization, detailing postures, breathing techniques, and purification practices for physical and mental mastery.
Unknown, 1898
This text presents a radical perspective on human existence, asserting that the breath is the "manifest Great Lord" and the essential animating principle, offering techniques for breath control and subtle body awareness.
Manmatha Nath Dutt, 1891
Manmatha Nath Dutt, 1908
Swami Vivekananda, 1896
Swami Hansa Swaroop, 1900First Translation
Vimalananda Svami; Arthur Avalon, 1922First from Sanskrit-English
Unknown, 900First Complete Translation
Balakrishna Malhara Lada, 1700First Translation
Unknown, 1800First Translation
864 books in this collection

Balakrishna Malhara Lada
Ganesa Daivagna
anonymous, Konstanz

Swami Hansa Swaroop
Swami Vivekananda
Param Sukh Upadhyaya
Helena Blavatsky
Pandit Devaki Nandan
Unknown
Unknown
Unknown

Varahamihira
Purnananda Yati

Unknown