Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Seven Virtues (composite)
Jacob Matham (after Hendrick Goltzius)
About This Work
This engraving presents a dense gathering of seven nude or partially draped female figures representing the classic moral virtues. Each figure is identified by traditional iconographic attributes, such as Justice holding a sword and scales, Temperance pouring liquid between vessels, and Fortitude leaning against a column. The arrangement reflects the characteristic elongated poses and flowing drapery favored by Mannerist artists of the late sixteenth century.
The work serves as a synthesis of Christian moral philosophy and classical humanism, visualizing the virtues that form the foundation of ethical life in Renaissance thought. It embodies the late Renaissance effort to organize moral categories into a coherent, highly stylized visual system rooted in the tradition of moral allegory.
Inscriptions(Latin)
7 Sola beat virtus; nec opes, nec sceptra iuua-bunt, Hec vbi defuerit vilia cuncta puta. HG Inuent. Cuius precipuas vna sub imagine partes Celator docta sedulus arte dedit.
Translation
7 Virtue alone makes one happy; neither riches nor scepters will help, Where this is lacking, consider all things as worthless. HG [Hendrick Goltzius] Inventor. The diligent engraver has rendered its main parts under one image with learned art.
Connected Texts
Cesare Ripa
The iconography reflects the standardized personifications of virtues found in early modern emblem books and treatises like Ripa's Iconologia.
Provenance & Source
Object
Engraving on ivory laid paper
allegory
Digital Source
Unknown · Public domain
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 14, 2026. Getty identifiers are AI-inferred and may require verification.