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The Seven Virtues (composite)

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Original file
allegoryPublic domain

The Seven Virtues (composite)

Jacob Matham (after Hendrick Goltzius)

c. 1600
Engraving on ivory laid paper

About This Work

This engraving presents a dense gathering of seven nude or partially draped female figures representing the classic moral virtues. Each figure is identified by traditional iconographic attributes, such as Justice holding a sword and scales, Temperance pouring liquid between vessels, and Fortitude leaning against a column. The arrangement reflects the characteristic elongated poses and flowing drapery favored by Mannerist artists of the late sixteenth century.

The work serves as a synthesis of Christian moral philosophy and classical humanism, visualizing the virtues that form the foundation of ethical life in Renaissance thought. It embodies the late Renaissance effort to organize moral categories into a coherent, highly stylized visual system rooted in the tradition of moral allegory.

FaithHopeCharityJusticePrudenceTemperanceFortitudescalesswordcolumnanchormirrorserpentchalice11M211M2111M348C1661B2

Inscriptions(Latin)

7
Sola beat virtus; nec opes, nec sceptra iuua-bunt,
Hec vbi defuerit vilia cuncta puta.
HG Inuent.
Cuius precipuas vna sub imagine partes
Celator docta sedulus arte dedit.

Translation

7
Virtue alone makes one happy; neither riches nor scepters will help,
Where this is lacking, consider all things as worthless.
HG [Hendrick Goltzius] Inventor.
The diligent engraver has rendered its main parts under one image
with learned art.

Connected Texts

Cesare Ripa

The iconography reflects the standardized personifications of virtues found in early modern emblem books and treatises like Ripa's Iconologia.

Provenance & Source

Object

Medium

Engraving on ivory laid paper

GenreAI

allegory

Digital Source

Source

Unknown · Public domain

Linked Data

AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 14, 2026. Getty identifiers are AI-inferred and may require verification.

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