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Bloed van Christus aan het kruis wordt opgevangen in bekers door drie engelen

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Bloed van Christus aan het kruis wordt opgevangen in bekers door drie engelen

Albrecht Dürer

1513
paper, pencil
height 395 mm x width 414 mm
Rijksmuseum, Amsterdam

About This Work

The scene focuses on the central figure of Christ on the cross, with angels positioned at his hands and feet to receive the sacrificial blood. Below the woodcut, two dense columns of Latin text offer meditative reflections on the Passion and death of Christ. The image serves as a devotional aid, emphasizing the relationship between the historical Crucifixion and the sacramental presence of the blood in the Eucharist.

This work reflects the Late Medieval 'Andachtsbild' tradition, focusing on the mystical properties of Christ's blood as a source of spiritual life, a theme that later informed alchemical discourse regarding the 'universal medicine' or 'tincture.' Dürer’s masterful use of line and composition set the standard for the visual language used by later esoteric and hermetic engravers in Northern Europe.

Jesus ChristAngelschaliceFive Holy Woundscrown of thorns73D31173D31211G2

Inscriptions(Latin)

·INRI·

Compassio et contemplatio mortis christi.

Bernhardus pertractans hunc articulum sic ait. Doleo super te domine mi rex magister...

Admiratio mortis christi.

O Mors amabilis: o passio desiderabilis. O profunditas admirabilis: quid mirabilius...

Translation

·INRI·

Compassion and contemplation of the death of Christ.

Bernard, treating of this article, speaks thus: I grieve for you, my Lord, my King, my Master...

Admiration of the death of Christ.

O lovable death: O desirable passion. O admirable depth: what is more wonderful...

Connected Texts

Jakob Böhme

Böhme’s later mystical writings frequently utilize the imagery of Christ’s blood as a metaphysical substance (the 'Heavenly Corporeality') that restores the soul, echoing the visual theology of this print.

St. Bernard of Clairvaux

The Latin text below the image explicitly cites St. Bernard, whose affective piety and focus on the wounds of Christ were foundational to the mysticism depicted.

Provenance & Source

Object

Holding Institution

Rijksmuseum, Amsterdam

Medium

paper, pencil

Dimensions

height 395 mm x width 414 mm

GenreAI

religious

Digital Source

Source

Rijksmuseum · CC0 1.0

Original Resolution

3388 × 4096 px

Harvested

March 24, 2026

Linked Data

AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.

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