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Original fileAbout This Work
Four riders—Conquest with a bow, War with a sword, Famine with scales, and a gaunt Death with a pitchfork—charge across the frame together. Beneath their hooves, people of all ranks, including a king, are crushed, while a monstrous Hellmouth in the corner consumes a fallen bishop. Above the chaotic scene, an angel floats among dense clouds, witnessing the divine judgment.
Published in 1498 as part of the 'Apocalipsis cum Figuris', this work reflects the millenarian anxieties of the late 15th century. In the esoteric tradition, it aligns with Joachimite theories of historical epochs and the Neoplatonic concept of world cycles concluding in a transformative 'great year' or purgation.
Inscriptions
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Connected Texts
Book of Revelation
Direct visual interpretation of the opening of the first four seals in Chapter 6.
Joachim of Fiore
His influential apocalyptic theories on the 'Third Age' informed the era's widespread preoccupation with the events depicted here.
Provenance & Source
Object
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
pinterest, amorosart etc.
Public domain
754 × 1024 px
7343fdd87ccfe39228b825e78bb8dc82f96b9e64
April 29, 2025
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.