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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA winged figure rests her head on her hand, holding a pair of compasses while ignoring the various instruments around her, such as a sphere, a large truncated rhombohedron, and a magic square. A small putto sits on a millstone nearby, scribbling on a tablet, while a bat-like creature carries a banner with the work's title across a sky filled with a comet and a rainbow. The foreground is cluttered with carpentry tools, a crucible, and a sleeping dog, all bathed in a strange, nocturnal light.
This work is the definitive visual expression of the Renaissance concept of 'inspired melancholy,' which linked the planet Saturn and the melancholic temperament to intellectual and artistic genius. It draws heavily on Neoplatonic theories regarding the limits of human knowledge and the struggle to bridge the gap between terrestrial craft and divine proportions.
MELENCOLIA I 16 3 2 13 5 10 11 8 9 6 7 12 4 15 14 1 1514 AD
Translation
MELENCOLIA I 16 3 2 13 5 10 11 8 9 6 7 12 4 15 14 1 1514 AD
Heinrich Cornelius Agrippa
The title 'Melencolia I' likely refers to the first of three levels of melancholy (imaginatio) described in Agrippa's 'De occulta philosophia'.
Marsilio Ficino
The engraving visualizes Ficino's Neoplatonic revaluation of the melancholic humor as a mark of the creative genius under the influence of Saturn.
Object
Metropolitan Museum of Art, New York, NY
Engraving
Plate: 9 7/16 × 7 5/16 in. (24 × 18.5 cm)
allegory
Digital Source
The Metropolitan Museum of Art · CC0 1.0
2820 × 3561 px
April 1, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.