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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe sitter is depicted in a three-quarter view, looking off-canvas with a reserved, contemplative expression. He wears a vibrant red garment with a fine white collar and a dark cap, characteristic of Florentine fashion in the late 15th century. Behind him, a detailed background features rocky peaks, slender trees, and a distant body of water under a clear sky.
Created in Florence around 1480, this work reflects the humanist emphasis on the dignity of the individual and the Neoplatonic belief that physical beauty serves as an outward reflection of the soul's inner harmony. Ghirlandaio was a central painter for the Medici circle, which included thinkers like Marsilio Ficino who theorized on the spiritual nature of sight and the human image.
Marsilio Ficino
Ficino's Neoplatonic theories in 'De Amore' posit that the beauty of a well-proportioned human face is a 'splendor of the divine countenance' and a vehicle for spiritual contemplation.
Object
National Gallery, London
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
Art UK
Public domain
4267 × 6000 px
49827aa6fbf119d9734a7b47203de11cd0ea489a
September 28, 2023
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.