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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe saint sits in a contemplative posture, recording his divine visions into a large codex. An eagle, his traditional symbolic attribute, stands beside him on a rocky outcrop overlooking a vast coastal landscape filled with ships. Two inscriptions are visible on his book and scroll, identifying the texts as the Book of Revelation and the Gospel of John.
St. John was a figure of primary importance to the Renaissance Neoplatonists in Florence, particularly Marsilio Ficino, who viewed the Johannine 'Logos' as the bridge between Greek philosophy and Christian revelation. The act of writing on Patmos represents the transition of mystical, visionary experience into the intellectual structure of the written word.
APOCALIPS Y HS XV IN PRINCIPIO ERAT VER
Translation
APOCALYPSE AND THE 15TH HOUR IN THE BEGINNING WAS THE WORD
Marsilio Ficino
Ficino frequently cited the Johannine prologue as the supreme expression of the Platonic Logos within a Christian framework.
The Gospel of John
The painting depicts the composition of the 'In Principio' prologue, a cornerstone text for Western mystical and esoteric traditions.
Object
Web Gallery of Art
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Web Gallery of Art: Image Info about artworkwga QS:P11807,"g/ghirland/domenico/7panel/02patmos"
Public domain
2148 × 2184 px
1201ca880cfb93aa64caca3f0ba30862af005546
June 4, 2011
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.