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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe upper portion of the panel shows Mary kneeling before a patriarchal figure of God, who wears a triple-tiered tiara and places a golden crown upon her head. They are encircled by a dense choir of singing and music-playing angels, while the lower register features four saints—Benedict, Romuald, Zenobius, and Just—witnessing the miracle from a meticulously detailed Tuscan valley. The work is divided into a clear hierarchy, using a bank of clouds to separate the earthly realm from the golden light of the heavens.
Created in Florence during the peak of the Platonic Academy, this work reflects the Neoplatonic concept of the celestial hierarchy and the soul's ascent toward the divine. The vertical arrangement of the figures mirrors the 'Great Chain of Being,' a central theme in the philosophical synthesis of Christian theology and Platonic thought championed by Marsilio Ficino.
Marsilio Ficino
Ghirlandaio's structured depiction of the celestial spheres and the soul's elevation reflects Ficino's Neoplatonic theories on the immortality and ascent of the soul.
Theologia Platonica
The painting visualizes the hierarchical layers of reality and the movement toward the 'One' described in Ficino's theological masterwork.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Bass Museum of Art
Public domain
9000 × 6406 px
ffd8d086487d8c4aeae2829af4d0aeb565f83f2f
February 19, 2014
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.