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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A young woman sits on the left pan of a scale holding a treasure chest of coins, while a young man on the right pan reaches into his money bag as their fathers or guardians observe the balance. In the foreground, a dejected Cupid walks away with his bow, signaling that love has been excluded from the transaction. The intricate engraving style reflects the late 16th-century Dutch interest in moralizing social satires regarding wealth and domestic life.
This work reflects Northern Humanist social critique, specifically the subversion of virtue and love by material greed in marriage contracts. It aligns with the satirical tradition of Erasmus of Rotterdam, who critiqued the triumph of Plutus (wealth) over genuine piety and faith in his philosophical writings.
Non Amor, aut virtus, sed dos equata bilance Coniugium stabilit, cedant duo fulmina belli, In castrisq[ue] Syphax victus, Carthagoq[ue] migret. Nil facit ad loculos, non implet scrinia Fama. Si proauos numeres, sis vel Jove natus ab ipso, Ito foras, nisi te locupletet onustior arca, Auripotensq[ue] suo fecundet munere Plutus. Nummi gratus odor: Pietasq[ue], fidesq[ue] valete. De Lifd' eylaes heeft nu den sack ghecreghen, D'ouders weghen, haer dochter in balance, Heeft den Vrijer soo veel goets niet daer teghen, Het houwelijck is af, hy moet van den dance.
Translation
Not love, nor virtue, but a dowry in equal balance Stablishes a marriage; let two thunderbolts of war yield, And let Syphax be conquered in the camps, and let Carthage depart. Fame does nothing for the coffers, does not fill the chests. If you count your ancestors, even if you were born of Jove himself, Get out, unless a heavier money-chest enriches you, And gold-powerful Plutus makes you fruitful with his gift. Pleasant is the odor of money: piety and faith, farewell. The dowry now has the upper hand, The parents weigh their daughter in the balance, If the suitor has not as much wealth to match it, The marriage is off, he must leave the dance.
Erasmus of Rotterdam
The print's satire on the commercialization of marriage and the triumph of money over virtue mirrors the social critiques found in Erasmus's 'The Praise of Folly'.
Object
National Gallery of Art, Washington
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
National Gallery Of Art
Public domain
2000 × 3000 px
e474a51012f454f1ccd6a14b6a2baa91c1cbd483
December 12, 2014
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.