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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe biblical couple is depicted with the highly stylized, muscular anatomy typical of Northern Mannerism. Eve reaches upward toward the serpent coiled in the tree to take the fruit, while Adam gazes at her, gesturing toward her waist. A variety of animals inhabit the background, including a lion, a stag, and an elephant, while a dog and a hedgehog appear in the foreground.
This work reflects the Neoplatonic and Hermetic interest in the 'Primordial Man' and the cosmic duality of male and female. The collaboration between Spranger and Goltzius represents the intellectual atmosphere of the court of Rudolf II, where biblical narratives were often viewed through the lens of natural philosophy and the occult.
Bartholomeus Sprang. inuent. HGoltzius sculp. et excud. 1585
Translation
Bartholomeus Spranger invenit. H. Goltzius sculpsit et excudit. 1585
Pico della Mirandola
His 'Oration on the Dignity of Man' establishes Adam as the central figure of the cosmos, possessing the free will to ascend to the divine or descend to the bestial.
Zohar
The text provides a mystical Kabbalistic interpretation of Adam and Eve as representations of the balance between the masculine and feminine aspects of the divine.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2662 × 3553 px
89498db0e6caa338e97c4532b9545760fbd2f53f
June 22, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.