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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
This worn parchment cover features simple blind-tooled decorative borders and a handwritten English label on the spine. It originally served as a 'Klebeband' (pasted album), containing 300 sheets of blue paper onto which various engravings of animals and other subjects were mounted. The binding shows physical signs of heavy use, reflecting its history as a functional reference tool for a Renaissance artist or collector.
This object illustrates the Renaissance practice of organizing visual knowledge into 'paper museums,' a method of classification central to early natural philosophy and the Dutch Mannerist intellectual milieu. Such albums were used by artists like Goltzius to taxonomize the natural and allegorical worlds, bridging the gap between artistic practice and the systematic study of nature.
Collection Groups of Animals Subjects Blue Paper
Hendrick Goltzius
The album is attributed to the workshop or personal collection of Goltzius, reflecting his encyclopedic approach to printmaking and natural observation.
Object
Rijksmuseum, Amsterdam
Engraving
decorative
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.594010
Creative Commons Zero, Public Domain Dedication
5202 × 7306 px
790b961c5e3c3cf6069aa05d2253132dfb21f15b
January 15, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.