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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileBacchus Fête Bachante (titel op object)
after Hendrick Goltzius
A muscular Bacchus looks toward the viewer with a subtle smile, his head wreathed in vine leaves and clusters of fruit. He raises a traditional drinking vessel high in his right hand, while his left holds a massive bunch of grapes, shared with a grinning infant satyr. The composition is framed by an oval border adorned with satyr masks and 18th-century wine glasses, reflecting the enduring popularity of Dionysian themes.
In Renaissance Neoplatonism, Bacchus represents the 'divine madness' (furor) required to elevate the soul beyond worldly reason toward mystical union. This late 18th-century engraving reproduces a work by Hendrick Goltzius, whose Mannerist style often explored the interplay between physical sensuality and higher philosophical allegories.
FÊTE BACHANTE H. Goltzius pinx: Grave' par P. W. van Megen, a Paris 1778.
Translation
BACCHANALIAN FEAST H. Goltzius pinx: Engraved by P. W. van Megen, in Paris 1778.
Marsilio Ficino
Ficino's commentaries interpret Bacchic intoxication as a metaphor for the soul's ecstatic ascent to the divine through the four furors.
Karel van Mander
Goltzius's contemporary who provided the authoritative Dutch Mannerist framework for interpreting mythological figures as moral and philosophical allegories.
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.152465
Creative Commons Zero, Public Domain Dedication
4302 × 5238 px
61295628660152fcf7b1aaa5121f8e47512e681a
December 11, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.