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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The print displays a vast, rolling terrain leading towards massive mountains under a bright sky. In the foreground, a lone traveler sits by the wayside, while the midground features scattered farmhouses and a slender tower perched on a hillside. The work is executed with the precise, rhythmic line work typical of the artist's mature period.
Hendrick Goltzius was a central figure in the Haarlem Mannerist circle, often associated with the intellectual milieu of Carel van Mander. This landscape reflects the early modern shift toward the empirical observation of the natural world, viewed as a secondary 'text' alongside scripture in the tradition of natural philosophy.
Cum privil. Sa. Ca. M. HGoltzius Inuen. G. Gouw incidit R. de. baud. excud. 1
Translation
With the privilege of His Imperial Majesty H. Goltzius invented it G. Gouw engraved it R. de Baud published it
Carel van Mander
Van Mander, a close associate of Goltzius, published his Schilder-boeck in 1604, providing the theoretical framework for Northern landscape painting as a means of contemplating nature.
Object
Noord-Hollands Archief, Haarlem
Engraving
landscape
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/6195c885-cd8e-4dfd-ed69-e6969c7f477a
Public domain
3543 × 2613 px
d2d5462ac3fe4b41d59c9b790923cfd4aa39d303
April 18, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.