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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The scene captures the moment of metamorphosis, with large feathered wings sprouting from the arms of the fleeing Coronis as she looks back at her pursuer. Neptune is depicted as a powerful, muscular figure holding a trident, while the background features his chariot pulled by hippocamps and sailing ships on a choppy sea. This engraving is part of a series illustrating stories of transformation, characterized by the dynamic, exaggerated anatomy of the Haarlem Mannerist style.
As an illustration of Ovid’s Metamorphoses, this work reflects the Renaissance fascination with the theme of mutable forms and the tension between divine desire and mortal preservation. In the intellectual circles of the late 16th century, such images were often read as allegories for the transformative powers of nature and the artist's ability to render the process of change itself.
Virgo Tridentifero placuit, sub littore visa, Basia et amplexus sed fugit illa Dei, Implorans Superos sublimis in aera fertur, Moxq. recens cornix nubila summa petit. 13
Translation
The Trident-bearer desired the Maiden, seen beneath the shore, But she fled the kisses and embraces of the God, Imploring the Gods above, she is borne high into the air, And soon, as a fresh crow, she seeks the highest clouds.
Ovid
The engraving illustrates a specific episode from Book II of Ovid's Metamorphoses involving the daughter of Coroneus.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
4000 × 2931 px
5e6c2406fe760052a028f901667406512fd0c533
September 11, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.