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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A man in a red tunic holds up a bunch of grapes while a woman beside him carries a large wicker basket overflowing with fruit. Between them stands a goat, a traditional symbol of the harvest and Dionysian fertility, set against a background of dense foliage and distant hills. The foreground is scattered with fallen produce, while the Dutch inscription at the bottom provides a moralizing contrast between the bounty of the season and the inevitability of death.
This print reflects the early modern preoccupation with the cycles of nature as a mirror for human life, specifically linking the harvest to the 'Memento Mori' tradition. The inscription identifies the ripening and pressing of grapes as a metaphor for the human journey toward the grave, a common theme in Dutch natural philosophy and moralizing emblematic literature.
Applen, Peren, Pruymen, Karßen, Plockmen in DE HERREFST aff. Druijven sietmen wijn uijt perßen; Soo gaet ijder naer syn graff.
Translation
Apples, pears, plums, cherries, plums in the AUTUMN off. Grapes one sees wine pressed from; Thus goes everyone to their grave.
Hendrick Goltzius
The work is an engraving after a design by Goltzius, the leading figure of the Haarlem Mannerists who popularized allegorical cycles of the seasons.
Cesare Ripa
The iconographic attributes of the harvest and the goat correspond to standard early modern allegorical representations of Autumn found in Ripa's Iconologia.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/402e6186-0320-bda6-93ff-353c567e4231
Public domain
2253 × 3167 px
437eba480614257d07446d2253c25297b5e37e8c
April 18, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.