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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileThree men dressed as travelers walk through a wooded landscape, with the central figure of Christ explaining the scriptures to his companions. In the background, a detailed view of a city with a bridge, a river with cattle, and a castle on a hill is visible. The scene captures the moment of theological instruction that precedes the revelation of Christ's identity.
The inscription’s use of the phrase 'mystica scripta' (mystical scriptures) highlights the early modern preoccupation with finding hidden, allegorical, or 'mystical' truths within the biblical narrative. This exegetical approach was central to the synthesis of Christian theology with Neoplatonic and Hermetic thought during the Renaissance, where the decoding of sacred texts was seen as a path to divine revelation.
M. de Vos inuent. Visscher excu. Christus discipulis Emaunta petentibus addit Se medium, et de se mystica scripta docet. Dicentem excipiunt laeti hospitioque decorant, Qui peregrinus erat discitur esse Deus. Luce. 24.13. 2
Translation
M. de Vos inventor. Visscher publisher. Christ joins himself to the disciples traveling to Emmaus, And teaches them the mystical writings concerning himself. They receive him gladly as he speaks and honor him with hospitality; He who was a stranger is learned to be God. Luke 24:13. 2
Gospel of Luke
The print illustrates Luke 24:13-27, where Christ explains the spiritual meaning of the scriptures to his disciples.
Marten de Vos
The print is based on a design by de Vos, as indicated by the inscription 'M. de Vos inuent.'
Object
Rijksmuseum, Amsterdam
paper
height 199 mm x width 279 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.